Cry If You Want To

Erica Leopold

I first heard this song performed twenty-plus years ago by my friend Erica Leopold .

It was written by a woman named Casey Scott, and I am guessing that Erica heard the song when it was recorded by a jazz singer named Holly Cole — although I read in Casey’s bio that she used to live in the Boston area in the 1980s…so maybe Erica heard Casey busking in Harvard Square!

I have found a lot of comfort over the years re-visiting Erica’s version of this song — which she recorded with pianist Doug Hammer and included on her debut CD.

Erica used to attend lots of music festivals and concerts in order to find great songs from all genres — folk, jazz, pop — that she could weave into her own musical performances.

I produced a couple of her performances when I oversaw events at the Cambridge Center for Adult Education in Harvard Square. I also performed with her several times in a winter holiday benefit series.

She was a generous collaborator, and she “cleaned up very nicely” when it came time to perform — wearing beautiful outfits with elegant hair and makeup.

Erica with a friend

Erica moved from the Boston area to western Massachusetts, and her singing activities slowed down as she focused on mothering a wonderful daughter who became very involved with horses.

Then (ARGH!!!!!) Erica discovered that she had brain cancer — which she fought with grace and humor for several years.

Deep breath in.

Deep breath out.

I biked to visit her when she was getting care in an excellent rehab facility in the Boston area after a big operation. I brought my ukulele and a songbook, thinking that she might like to make some music together.

But after a few songs, I realized that she just wanted to be quiet, make eye contact and hold hands.

So we did that for a while.

“Cry if you want to, I won’t tell you not to, I won’t try to cheer you up… I’ll just be here if you want me.”

Erica hung in there for a long time, with a dedicated network of friends and family visiting her on a regular basis.

She died near the end of 2022…

Here’s a link to her obituary if you are curious to learn a little more about this lovely soul.

Another deep breath in.

And deep breath out.

A few years ago I learned “Cry (If You Want to)” so that I could perform it with pianist Molly Ruggles during a UU church service in Medford, MA.

And then I recorded it with pianist Doug Hammer last year — in honor of one of my nephews, whose father had recently died.

“It’s no use in keeping a stiff upper lip, you can weep, you can sleep, you can loosen your grip. You can frown, you can drown and go down with the ship… you can cry if you want to.”

The graphic design for my recording of this song juxtaposes a photo taken by my sister Christianne of this nephew walking in a stream on their farm in upstate New York with a professional photo of me when I was about the same age as this nephew (who is covered up by my head to preserve his privacy…)

He will probably be grieving the loss of his dad — in obvious and not-so-obvious ways — for the rest of his life.

“You can stare at the ceiling and tear at your hair, swallow your feelings and stammer and swear…”

Yet another deep breath in.

And deep breath out.

I spent many hours this week putting together a Spotify playlist of songs for a baby shower in honor of my niece and her husband.

My Niece and Her Husband (Photo by A Couple of Dudes Photography)

You may remember them from a blog post I shared in November 2019 about their wonderful wedding.

At the suggestion of her mother I included a lot of songs which our family used to listen to and sing when we were children and teenagers.

Some of them — such as “Stewball” by Peter, Paul & Mary, “I’m Gonna Be A Country Girl Again” by Buffy Sainte-Marie, and “Our House” by Crosby, Still, Nash & Young — moved me to tears.

Music can be a very powerful connection to past events, past loved ones, past memories.

Image by Kimut from Pixabay

One more deep breath in.

And deep breath out.

I wish more of us would set aside time to listen to music and have a good cry.

I have a belief that much of the dysfunctional — and at times horrifically destructive — choices that my fellow human beings make on a daily basis are due to past injuries, past humiliations and past losses which have never been properly acknowledged and grieved.

For example, here’s a blog post I wrote back in 2019 about a very damaged and damaging human beings who is still in the news these days.

When was the last time HE had a good cry?

Does anyone ever offer him an empathetic shoulder to cry on?

Image by Myriams-Fotos from Pixabay

I am guessing, “no.”

I have long been fascinated by the way that tears come out of our eyes, which are located near the front part of our brains.

And I often wonder if crying might be part of how our brain processes/grieves/heals itself following an injury, insult or loss…

What do YOU think?

I hope that this song — which offers such a comprehensive, open-hearted, and non-judgmental invitation to cry — might touch the hearts of a few of my fellow human beings who may be feeling a bit shut down and overwhelmed by all that is happening these days here on planet earth.

One more deep breath in.

And deep breath out.

Image by Couleur from Pixabay

Thank you to Casey Scott for writing this song.

Thank you to the photographer who took the photo of me as a teenager — when I was still working a little bit professionally (doing voice-overs, commercials and subbing on the soap opera ANOTHER WORLD).

Thank you to my sister for taking the photo of my nephew in the glen and to Stephen Fischer for incorporating it into a graphic design for this song release.

Thank you to Doug Hammer for his sensitive piano playing and nuanced engineering/producing chops.

Image by Inke Raabe from Pixabay

Thank you to the photographers at Pixabay for their beautiful images.

And thank YOU for reading and listening to another one of my blog posts.

If you like this song well enough to listen to it again, you are welcome to stream it by clicking here.

And you are always welcome to visit my musical website by clicking here.

I Could Write A Book…

Today’s musical selection is a two-song medley of gems written by Lorenz Hart and Richard Rodgers.

I recorded it many years ago with pianist Doug Hammer when I was putting together an hour-long program of songs with lyrics by Larry (Lorenz’s nickname) Hart.

Not only is Doug’s piano accompaniment extremely playful and inventive, Mr. Hart’s lyrics sit on Mr. Rodger’s music so comfortably and eloquently!

I wrote a blog post a while back about Larry Hart which you can read by clicking here.

I won’t repeat what I shared in that post about Mr. Hart’s life — which was a very generous (and at times heart-breakingly sad) one.

Instead I will share a little bit about these two songs.

Busby Berkeley

“You Took Advantage Of Me” was first performed by a very tall guy nicknamed “Buzz” in the 1928 musical PRESENT ARMS.

Busby Berkeley (who had grown up in the world of theater) choreographed a bunch of musicals on Broadway — and then went on to choreograph and direct a bunch of movies in Hollywood.

Wikipedia tells us that on opening night Buzz forgot the lyrics to the second verse of “You Took Advantage of Me.”

Maybe he had been too focused on the choreography for the show?

Apparently he sang scat syllables during the second verse, and the audience thought it was funny, and Larry Hart eventually forgave him…

Deep breath in.

Deep breath out.

Morton Downey

WIkipedia also tells us that it was a favorite song of the Prince Of Wales (Edward VIII), who once requested that Morton Downey — a very popular Irish-American tenor — perform it eleven times at a cafe in London.

The somewhat abusive message of the lyrics reminds me of another uptempo Rodgers & Hart uptempo song in which Larry writes “the furtive sigh, the blackened eye, the self-deception that believes the lie… I wish I were in love again.”

Nowadays — in this era of date rape drugs, Harvey Weinstein, Bill Cosby, and more than one former president of the United States— our songs are much less likely to playfully jest about someone taking advantage of someone else.

Another deep breath in.

And out.

Gene Kelly

The second song, “I Could Write A Book,” was created for the 1940 musical PAL JOEY.

It was introduced by another dancer, Gene Kelly, who went from performing on Broadway to become a huge success — as a dancer, actor, singer, choreographer and director — in Hollywood.

The rhyming is quintessential Larry Hart, and I love the literate theme of the song.

Larry was very well educated and could speak English and German (and I am guessing Yiddish, too, since his Jewish parents had emigrated from Germany…)

He met future collaborators and friends such as lyricist/librettist/producer Oscar Hammerstein, composer/producer Richard Rodgers, and librettist brother Herbert Fields (along with his younger sister, the lyricist/librettist Dorothy Fields) while he was studying at Columbia University.

Image by Lubos Houska from Pixabay

And Larry was also (on his mother’s side) the great-grandnephew of Heinrich Heine, whose poetry had been set to music by both Schumann and Schubert.

Perhaps this lineage helped inspire/embolden him to become a lyricist!

He was employed early in his career by the Schubert brothers as a translator of German plays into English.

He went on to co-create 26 Broadway musicals with Richard Rodgers as well as songs for many several Hollywood musicals — although they were much less happy working in the movie business, because they had much less power regarding how (or even if) their songs were used in a particular film.

Some of Larry’s other hit songs with Richard Rodgers include “My Funny Valentine,” “Blue Moon,” “The Lady Is A Tramp,” “Isn’t It Romantic,” “My Romance,” and “Where or When.”

Image by StockSnap from Pixabay

Thank you for reading and listening to another one of my blog posts!

Thank you to the wonderful photographers at Pixabay (and the public domain images at Wikimedia).

And thank you to Doug Hammer for his terrific piano playing and patient engineering/producing chops.

If you like this two-song medley well enough to listen to it again, you are welcome to stream it by clicking here.

You may have read in a previous blog post about how Spotify abruptly changed its payment procedures at the beginning of this year.

They are no longer paying royalties to the owners of any recording which earns fewer than 1000 streams per year.

Image by congerdesign from Pixabay

My recording with Doug of “You Took Advantage of Me/I Could Write A Book” has been streamed 569 times on Spotify since it was released at on October 6, 2023.

So I have five months to (I hope) drum up another 431 streams and reach their 1000-stream payment threshold…

May you continue to read and write and sing and dance — AND engage with our country’s political progress — for many years to come!

And you are always welcome to visit my musical website by clicking here.

I Believe In Love, Alfie…

Burt Bacharach (courtesy of Wikimedia)

The songwriters Burt Bacharach (music) and Hal David (lyrics) wrote a bunch of great songs together starting in the late 1950s through the early 1970s.

Today I am focusing on their beautiful anthem, “Alfie” (in the player at the top of this blog post).

As I have mentioned in past blog posts, I perform one-hour programs of music which feature a particular lyricist or composer at retirement communities, libraries, synagogues, coffee houses, and memory cafes around the greater Boston area with the help of two different pianists, Joe Reid and Molly Ruggles.

And due to the aging Baby Boomer demographic bulge, a LOT of new retirement communities have been built in Massachusetts in the past 10-20 years.

Most of them — hurrah! — still have real pianos in their community rooms (or auditoriums in the fancier places…)

And they book a significant amount of musical entertainment for their residents.

Some places we visit just once per year.

Image by Jewelia from Pixabay

Other places book us 4-7 times per year.

What’s lovely about doing more frequent musical visits is that we get to become better acquainted with the music-loving residents in their community.

And we have found (no surprise!) that music has an uncanny power to re-ignite memories — which, if we are lucky, the residents will share with us as we are packing up.

Some people’s memories are family-specific and often very poignant — a particular song was played at their parent’s wedding… or was the favorite song of a sister/brother/cousin… or is the song that always reminds them of a specific moment in high school.

One woman, the youngest child in a family of six, shared with us that her beloved older brother had recorded a version of “I’ll Be Home For Christmas” as a present to bring home with him right before he was killed serving in WWII.

That song had become a sacred — and heart-breaking — hymn for her and her family.

She was moved to tears telling us about it almost eighty years after her brother’s death.

And we were honored to listen to her tell us about the significance of this song in her life.

Deep breath in.

Deep breath out.

Cole Porter (courtesy of Wikimedia)

Joe Reid and I started ten years ago with a program of songs composed by Harold Arlen.

Then a resident at one of the places we performed that first show asked us to create a program of Cole Porter songs.

And then the Program Director at one retirement community lent us her favorite CD compilation of Hoagy Carmichael songs.

The work of one great lyricist/composer keeps leading us to another!

So far we’ve put together hour-long programs featuring the songs of Harold Arlen, Cole Porter, Hoagy Carmichael, the Gershwin Brothers, Jerome Kern, Dorothy Fields, Oscar Hammerstein, Lorenz Hart, Irving Berlin, Yip Harburg, Frank Loesser, Johnny Mercer, Sammy Cahn, Jule Styne, and Harry Warren.

We’ve also created programs of songs written for great performers including Fred Astaire, Ethel Merman, Bing Crosby and Judy Garland.

Burt and Marlene in Israel (photo by Fritz Shlezingel — courtesy of Wikimedia)

And now we are venturing beyond music written during the 1920s-1950s — which is what has led us to the songs of Burt Bacharach.

Mr. Bacharach had a long and fascinating life.

His public profile as a pianist, arranger and composer rose significantly after Marlene Dietrich asked him to become her accompanist/band leader — which he did off and on for many years in countries around the world.

I have read Mr. Bacharach’s memoir, and he respectfully insists that his relationship with Ms. Dietrich was never sexual — although it appears that she would have liked it to be.

She championed his music, however, and sometimes would take care of him by cleaning his apartment and then preparing him a home-cooked meal.

According to Burt, she also helped him to juggle ongoing trysts and affairs with a wide variety of women while they were on the road together.

Another woman who played a significant role in Burt’s life was Angie Dickinson, who became his second wife and whose success and connections as a movie star are what led to Burt’s first film scoring opportunities.

Burt and Angie (courtesy of Wikimedia)

Some of Burt’s most beloved songs were created for the movies, including “The Look of Love” (for Casino Royale), “Raindrops Keep Falling On My Head” (for Butch Cassidy and the Sundance Kid), and “Arthur’s Theme — The Best That You Can Do” (for Arthur).

In 1966 Burt and Hal David were asked to write something to play over the closing credits of a British film starring Michael Caine.

Hal and Burt read the script, and then Hal wrote a lyric inspired by something that Michael Caine’s character says at the very end of the film which Burt then set to music.

Cilla Black recorded “Alfie” for the British release of the movie, and version by Cher — of all people — was used when the film was released in the USA.

Bacharach and David’s muse Dionne Warwick also recorded her own version which became a big hit — and since then it has been recorded by thousands of people, including me and the pianist Doug Hammer.

Just over ten years ago I wrote a blog post which featured our recording of this song. You can click here to read (or re-read) it if you are curious.

Although we human beings continue to do horrific, greedy, short-sighted, ignorant and evil deeds on a daily basis here on planet earth, I remain a fan of love and kindness — as does the narrator in this song.

Thank you to the photographer who took this Michael Caine-esque photo of me in the late 1960s when I was working professionally as a child (doing commercials, modeling jobs, and voice-overs) in NYC.

Thank you to Stephen Fischer for incorporating it into a graphic design for this song release.

Image by Jm TD from Pixabay

Thank you to Doug Hammer for his beautiful piano playing and excellent engineering/producing chops.

Thank you to the photographers at Pixabay and Wikimedia for their beautiful images.

And thank YOU for reading and listening to another one of my blog posts.

If you like this song well enough to listen to it again, you are welcome to stream it by clicking here.

And you are always welcome to visit my non-blog, musical website by clicking here.

After The Holidays

Image by Robert Karkowski from Pixabay

Greetings during this time of short days and long nights in the northern hemisphere.

I hope you are warm and well as you read this blog post.

Right now in Massachusetts we are graced with a beautiful full moon shining down on our snow-less streets.

I first shared the song “After The Holidays” (in the player at the top of this page) three years ago in a blog post about the challenges of feeling lonely during the holiday season.

As you may remember — or perhaps you have blocked it out of your memory in order to be able to move on with your life — three years ago things were not going well in the USA.

Many hospitals were overwhelmed by COVID — with dead bodies being stored in refrigerated trailer trucks until funeral homes and crematoria could catch up with the demand for their services.

Image by StockSnap from Pixabay

It was a very challenging winter holiday season.

And 2023 has brought new challenges — and tragedies — into our lives here on planet earth.

Deep breath in.

Deep breath out.

Wars continue to grind along, destroying human lives along with the lives of countless other beings caught in the cross fire. Pollution continues to seep into every ecosystem here on planet earth. Climate change continues to increase with catastrophic consequences.

My heart goes out to anyone who is feeling hopeless, who is feeling distraught, who is feeling alone, or who is feeling unloved during this holiday season.

And although I am fortunate to have a life partner + family + friends with whom I can gather during the holidays, I can vividly remember how heart-broken and grief-stricken I felt when the first big love of my life chose to end our relationship many decades ago…

Image by Scott Wynn

“After The Holidays” taps into those feelings of raw desperation.

It was written by John Meyer.

His friend Judy Garland performed it on The Tonight Show with Johnny Carson in 1968.

Mr. Meyer is still alive and living in New York City.

Earlier this month I tracked down an email address for him so that I could let him know I had released a version of his song.

And much to my (happy) surprise, he was kind enough to give it a listen.

Here is how he responded:

Will, I’m impressed.

Image by Stephen C. Fischer

You’re note-perfect — good for you!

Others bend the melody to suit their often tasteless predilections.

And I like that you take your time with the song, investing it with real poignancy.

Thank you for sharing.

Merry Christmas!”

Needless to say, I am delighted (and relieved) that he responded so positively to how pianist Doug Hammer and I interpreted his song.

Deep breath in.

Deep breath out.

Image by Mariya from Pixabay

And I will gently point out that this is yet another winter holiday song written (or co-written) by Jewish composers/lyricists — joining a beloved list of favorites including “Rudolph The Red-Nosed Reindeer,” “Silver Bells,” “Winter Wonderland,” “Let It Snow,” and “I Heard The Bells On Christmas Day.”

Here is a link to my version “After The Holidays in case you might like to stream it.

And as I have explained before, if you “like” one of my songs or add it to one of your playlists, that will improve the algorithmic sharing of my music.

Thank you to the John Meyer for writing such a moving song.

Thank you to Doug Hammer for playing so sensitively on my version of John’s song AND for being such a diligent engineer/producer.

Image by Gerd Altmann from Pixabay

Thank you to Stephen Fischer for his terrific graphic design work.

Thank you to the photographers at Pixabay — and to Scott Wynn — for their great images.

And thank YOU for reading. and listening to another one of my blog posts!

May your 2024 be full of peace and hope and determination…

The Babysitter’s Here!

I have loved this song by Dar Williams ever since I first heard it a couple of decades ago.

Dar Williams

Ms. Williams weaves together several fundamental human themes — the value of role models, the heartbreakingly inevitable connection between love and loss, the challenge of female/male power dynamics, and the significance of being trusted — within the framework of a story told by a child about their beloved babysitter.

It is masterful songwriting.

I released it two weeks ago to coincide with the start of the school year here in Massachusetts.

I have several friends whose almost-grownup children are entering college — and they have shared with me that they are feeling simultaneously grateful/proud that their kids are becoming adults AND heart-broken/shocked that their kids are old enough to leave the family nest.

Deep breath in.

Deep breath out.

I do not remember having many babysitters when I was a child.

There was one, however — maybe a friend my mother met at a painting class? — who taught me and my siblings how to cook eggplant moussaka from scratch.

We happily prepared that meal again and again during our child and teen years following her recipe.

It was delicious!

The theme of trust and trustworthiness in Dar’s wonderful song very much reminds me of how respected I felt as a young adult when I was hired to help take care of three small children (one each from three families) who had all dropped out of the same pre-school together.

I myself had recently dropped out of college, and it was a very powerful — and healing — experience to be entrusted with these three little human beings.

Parents have to tap into a deep well of trust to let someone else take care of their children.

Without a lot of interviewing and no background checks, I and two other twenty-somethings were hired to have fun adventures with these three children in shifts during the day while their parents — who were architects, college professors and a child psychiatrist — worked.

We were given the keys to one of their cars (a Saab), three car seats, and a little spending money in case we needed to stop at a grocery store or bakery for treats during the day.

The parents also gave us a book on child development by Penelope Leach from which I learned that I could follow the children’s lead and let them to explore their curiosity/interests — which included (among other things) ants and dogs and pistachios and flowers.

One of my favorite memories is driving with them to a wonderful nature area — the Punkatasset Preserve in Concord, MA — and wandering very slowly up and down the trails so that we could pause whenever something caught the children’s attention.

Their interest in flowers led me to serve them food — such as apple slices, carrot sticks, chunks of cheese — in flower patterns on their plates.

This is something I still love to do with food.

Here’s a tomato flower I made recently from produce given to me by a neighbor with a farm share from an organic farm just over the border in Lexington, MA (about which I have written in a previous blog post).

They are so beautiful…and nutritious!

Plants are truly amazing.

How are they able to capture and transform energy — radiating from a nearby star! — into something delicious we can eat here on planet earth?

What a miraculous blessing…

Another deep breath in.

And deep breath out.

Last week I listened to a interview on YouTube in which an artist manager explained that Spotify’s algorithms seem to reward folks who release music on a monthly basis — and that if one is able to do this for 18-24 months, an exponential increase in streams sometimes kicks in…

This is what he has discerned from the streaming patterns of music released in recent years by a dozen independent musicians he is working with…

I have seen a significant (for me) increase in streams for the six songs which I have released (every three weeks) since the middle of April this year.

My recording of “The Babysitter’s Here,” for example, has gotten more streams (598) on Spotify in two weeks than many of the songs I first released have gotten in two years.

So I am going to stick with my plan to release a song every 3-4 weeks for the next 19 months and see if an exponential increase kicks in…

Thank you to everyone who has been streaming my songs on SpotifyPandoraApple MusicYouTube and other streaming platforms.

You are welcome to click and listen to “The Babysitter’s Here” on many streaming platforms.

And any song you “like” or “heart” or add to a playlist will improve the algorithmic activity of my music there.

You are also welcome to visit my website — where you can learn more about my musical life (including upcoming gigs) here on planet earth if you are curious.

Thank you to Dar Williams for writing such a delightful song.

Thank you to the families who trusted me many years ago to take care of their precious children.

Thank you to Doug Hammer for his sublime piano playing AND his patient engineering expertise.

Thank you to the generous photographers and graphic designers at Pixabay — and to my friend Carolyn for the lovely photo she took of.a rainbow from her living room window.

Thank you to Stephen C. Fischer for transforming photos from earlier parts of my life into graphic designs for my current song releases.

Thank you to my neighbors for sharing their beautiful vegetables with me.

And most of all, thank YOU for reading — and listening to — another one of my blog posts!

Gold In Them Hills

Today’s wise and optimistic song was written by Ron Sexsmith, a Canadian singer-songwriter who currently lives in Stratford, Ontario.

I featured it almost three years ago in a blog post about distributing my first song to music streaming platforms.

One of the many pleasures of blogging (in my opinion) is rediscovering posts we have written in the past and then forgotten.

This one includes a lot of quotations — which I was very happy to re-encounter — from friends about the value of music in their lives.

I have sprinkled a few of them into this blog post, too.

You are welcome to click here to read (or re-read) this past blog post if you are curious.

“Music is a great encouragement to people in hard times.”

Deep breath in.

And deep breath out.

I also explain in this past blog post about how little money is earned by performers and songwriters from streaming platforms such as Spotify, Apple Music, Pandora, YouTube, etc.

Not surprisingly, this is still true — as a 2022 article I found online demonstrates.

Spotify, which last year had an almost 50% market share of music streaming worldwide, still pays less than half a cent per stream.

Apple Music was the next biggest player, with almost 25% market share of music streaming worldwide — but paid a penny per stream (almost triple what Spotify paid…)

All of the other music streaming companies share the remaining 25% of worldwide music streaming — and paid anywhere from .00069 cents per stream (YouTube Music) to .017 cents per stream (Napster).

Here’s a graphic representation from this article of all of these numbers.

Suffice to say that I have not been earning any significant money as a result of people streaming the 37 recordings I’ve released during the past 34 months.

Deep breath in.

And deep breath out.

But I DO have the satisfaction of knowing that my music is out there in the world, being listened to by folks in fifty different countries — including the USA, Finland, Canada, Taiwan, Great Britain, Kazakhstan, Australia, Indonesia, Turkey, Brazil and Chile!

“Music is part of what makes the world keep going.”

And in recent months my streaming statistics on Spotify have risen significantly (although my total numbers are still quite modest).

This rise in my stats helps me feel that what I am doing — releasing music — is not entirely futile, useless and/or egotistical.

And it gives me a small sense of hope, which is what Ron Sexsmith’s lovely song does, too.

Hope remains a blessed mystery to me.

I hope you feel at least a tiny kernel of hope in your life.

Recent regional elections here in the USA have renewed my sense of hope in our political process.

And small children — such as those who grace my Music Together classes — also give me a sense of hope as well as a reason to continue to work for a more balanced, sustainable, and respectful future here on planet earth.

I’d be happy to learn in the comments about what gives YOU a sense of hope these days.

Here is a link for “Gold In Them Hills” in case you might like to listen to it on a streaming service.

If you “like” it or “heart” it or add it to a playlist, that apparently improves the algorithmic sharing of my music on that streaming service.

One more deep breath in.

And deep breath out.

Thank you to Ron Sexsmith for writing great songs.

Thank you to Doug Hammer for playing so beautifully on my version of Ron’s song AND for being such. a skillful engineer/producer.

Thank you to Stephen Fischer for his colorful graphic design work.

Thank you to Gretje Ferguson (I think?) for taking the photo which Stephen incorporated into his graphic design.

Thank you to Gloria O’Leary for making the coat I am wearing in this photo.

Thank you to the photographers at Pixabay for their great images.

And thank YOU for reading. and listening to yet another one of my blog posts!

“Music is a touching reminder that life is worth living.”

Waltzing With COVID-19

Three and a half years ago the World Health Organization (WHO) declared COVID had become a public health emergency.

Image by Miroslava Chrienova from Pixabay

Six weeks later, it grew into a pandemic — from which many of us are still recovering…

However, the WHO recently announced that COVID-19 no longer qualifies as a global emergency.

This is good news.

Deep breath in.

Deep breath out.

Apparently deaths from COVID are at their lowest point since the early days of the coronavirus outbreak.

This is also good news.

However, a lot of people are still continuing to die here in our Not-So-United States of America.

Last night I ordered a pizza and salad from a nearby restaurant, and after I picked it up, a woman waiting outside congratulated me on wearing a face mask.

She, too, was wearing a mask and told me in no uncertain terms that our COVID challenges are not over yet.

In fact, the 40-year-old son of one of her friends had just died from COVID.

Another deep breath in.

And deep breath out.

Image by David Mark from Pixabay. 

In 2023, the USA COVID death toll has averaged 150 people per day

Although this is a decline from a peak death toll of 2,500 human beings per day in early 2022, 150 per day still feels like a lot of people dying to me!

And all around the world, people continue to die — one every three minutes — “and that’s just the deaths we know about,” says WHO director general Dr. Tedros Adhanom Ghebreyesus. “COVID-19 is (not) over as a global health threat.”

Yet another deep breath in.

And deep breath out.

I wrote the song in the player at the beginning of this blog post during the first year of the pandemic.

I was inspired — in part — by the months-long hospitalization of a fellow singer who was on a ventilator for a very, very long time.

Amazingly enough he has managed to recover — and resume singing!

Image by Bruno /Germany from Pixabay.

He was cared for by a team of truly courageous nurses, doctors, and support staff who came to work day-in and day-out while most of us were sheltering in place at home.

I bore witness to the dedication and patience of many nurses, doctors and support staff during this time because — exactly as COVID was entering our lives — I was diagnosed with an obscure medical condition called PGNMID.

As the COVID epidemic grew worse and worse, I met with specialists at several hospitals, underwent kidney and bone marrow biopsies. and ended up being given three rounds of six-month-long-treatments — chemotherapy+immunotherapy+steroids the first time, a new immunotherapy drug the second time, and an even newer experimental immunotherapy drug the third time.

I appear to be responding well to the latest round of treatments — and may write more about this experience in a future blog post.

I mention it now because I saw firsthand — on a weekly basis — the brave and loving response of the medical community during that horrible time.

Image by Bianca from Pixabay.

Recently another musical acquaintance shared with me that she stopped working as a nurse a year ago so that she could begin to recover from the stress and trauma of being a nurse during the COVID pandemic.

I know she is not alone…

Another deep breath in.

And deep breath out.

It’s easy to forget — or ignore — the reality that most of the people who have died due to COVID were connected to a web of caregivers, family and friends who are now grieving their loss.

Deep sigh…

Millions of human beings around our planet — myself included — are now struggling to regain their hopefulness, their sense of connectedness with others, their equilibrium, their sense of purpose, and their mental health after being in survival mode for the past few years.

And some folks are also struggling with mysterious, lingering health challenges after being infected with COVID.

A recent interview on Fresh Air with a neuropsychologist named James Jackson reminded me that there are millions of people here on planet earth who continue to experience a wide variety of debilitating symptoms due to their COVID infection — the “long-haulers.”

As the Fresh Air webpage explains, these folks “struggle to remember things, perform basic tasks and solve problems” — which can lead “to a loss of employment, income, and important relationships.”

Yet another deep breath in.

And deep breath out.

Jackson has written a book called Clearing The Fog — From Surviving to Thriving with Long COVID.

I am rooting for all of the COVID long haulers!

I have so many thoughts and feelings about COVID — as I am sure you do, too.

Maybe you will be moved to share a little of what you are feeling and thinking these days about the impact of COVID on our lives in a comment at the end of this blog post.

Image by Lars Nissen from Pixabay.

Part of me was tempted when writing this blog post to share a list of the high-profile folks — such as former presidential candidate Herman Cain — who downplayed or actively denied the significance of the COVID virus… and then ended up dying from it.

However, that seemed too disrespectful and schadenfreudey.

I did stumble across an interview earlier this year with a former Republican senator from Oklahoma — Jim Inhofe — in the Tulsa World, in which he explains that one of the reasons he retired was long-term COVID-19 complications.

At the time of his retirement, he said that he had tested positive for a very mild case of COVID-19.

But in this interview he admits that it has been much more serious.

And according to Inhofe, “Five or six others have (long COVID), but I’m the only one who admits it. 

Yikes!

I think he is referring to other US senators… but maybe he means members of Congress overall?

He also says: “I try to be careful, but I have to be reminded to do things like wash my hands. I have to do things I’m not used to and that’s difficult sometimes.”

I agree.

It can be VERY difficult for us to change our longtime habits and mindsets and patterns of behavior.

Apparently Inhofe has also been an outspoken climate science denier for decades — and we shall see how that ends up affecting him…and his family…and his former constituents…and all of the rest of the web of life here on planet earth in the upcoming days and weeks and months and years!

I think it’s been pretty hot in Oklahoma in recent weeks…

One final deep breath in.

And deep breath out.

Thank YOU for reading and listening to another one of my blog posts.

I am always surprised and heartened to check my WordPress stats and see that people continue to visit my blog even when I haven’t posted anything new in many weeks.

Thank you to all of my visitors!

And thank you to Pixabay for their wonderful and generous photographers.

Graphic design by Stephen C. Fischer.

And thank you to Doug Hammer for playing his Schimmel grand piano so poignantly AND for helping me to mix/master “Waltzing With COVID-19” via many Zoom sessions during the past two years.

If you are curious to hear more music, you can find me singing — with Doug Hammer playing piano — on SpotifyPandoraApple Music, YouTube and other streaming platforms.

And you can listen to “Waltzing With COVID-19” on your favorite streaming platform by clicking here.

Any song you “like” or “heart” or add to a playlist will improve the algorithmic activity of my music there!

Image by Leo from Pixabay. 

I am going to continue to wear a mask whenever I am inside a movie theater or a bus or a subway or a friend’s car (if the windows are rolled up) or a friend’s home or an office or a hospital or a retirement community.

This is a simple way we can continue to respect and care for each other.

One more deep breath in.

And deep breath out.

The Water Song

Image by urformat from Pixabay 

Thank you to everyone who continues to read my blog posts — old and new!

Today is a rainy and windy day in the greater Boston area.

Now that it’s December, part of me wishes that it were snow falling insead of rain.

The sentimental part of me, that is.

The practical part of me — who would be helping to shovel it from our sidewalk, porches, and driveway — is OK with rain.

I was very grateful to read recently that Massachusetts has mostly recovered from last summer’s drought due to the rain which has fallen in recent months.

Hurrah!

Image by Jose Antonio Alba from Pixabay

But as most of us know, the rest of the world is not as fortunate — with water levels falling to unprecedented levels in the western and southwestern parts of the USA, for example.

Deep breath in.

Deep breath out.

I wrote a blog post in January 2020 which featured an older version of today’s song.

You can click here to check it out if you are curious. I went wild with lots of water imagery from Pixabay…

However, in keeping with my current resolve to share shorter blog posts, I will include fewer photos today.

Image by Petra from Pixabay 

Another deep breath in.

And deep breath out.

I’ve been getting acupuncture on a regular basis for 30+ years.

My practitioners have been part of the five-element school of acupuncture, which is an extremely wise and beautiful branch of acupuncture.

Each patient, for example, is viewed as a garden to be tended to by the practitioner in order that all five elements/phases of our body/mind/spirit — water, wood, fire, earth, and metal —remain harmonious and in balance.

The water element corresponds — among many other things — with the season of winter, with the feeling of fear (and/or the lack of fear), with the taste of salt, with the sound of groaning, with slowing down/resting/sleeping, with meditating, and with the experience of not-knowing.

You can click here for a link to an acupuncturist’s webpage which describes more about the water element if you are curious.

Most of us are a blend of all five elements/phases.

I, for example, was diagnosed by J. R. Worsley as a Wood type — with Earth and Water within (ie: Mud as I like jokingly to say).

He recommended, among other things, that I do more swimming — and in the years since my diagnostic visit with him I have spent many hours in pools, lakes, ponds and oceans.

Recently, however, I have become less excited about swimming in the crowded chlorinated pool — which also hosts swimming classes for children of all ages — nearest my home.

So nowadays I swim in lakes and ponds (and occasionally the ocean) during the warmer months of the year — although a friend and I did have share a brisk, final swim in Walden Pond this past October.

Image by Arek Socha from Pixabay 

It is very easy for many of us to take fundamental blessings such as daily access to clean water for granted.

I continue to be a fan of counting one’s blessings as an antidote to the onslaught of news and commercial messages with which most of us are bombarded every day via social media, television, radio, ads on the sides of busses, etc.

One more deep breath in.

And deep breath out.

Image by Ngọc Hoàng from Pixabay 

May we all be mindful of ways that we can conserve and honor and re-use the water flowing through our faucets, our showers, our baths, our washing machines, our dishwashers, our veins, our arteries, our lymphatic vessels, our skin, our tear ducts, our plants, our forests, our systems of agriculture, etc.

I will end with a few more delightful images from Pixabay of different forms of water.

Thank you to all of the photographers who share their work there.

Thank you to Doug Hammer for contributing his artistry to my song as a pianist and as an engineer.

Image by Sasin Tipchai from Pixabay 

You are always welcome to visit my website — where you can find many songs and learn more about my musical life here on planet earth if you are curious.

You can also find me singing on SpotifyPandoraApple Music, YouTube and other digital music platforms.

Any song you “like” or “heart” or add to one of your playlists will improve the algorithmic activity of my music there!

I hope to release my “Ode to Water” to the non-WordPress musical world sometime in 2023…

Image by Sasin Tipchai from Pixabay 

Thank you again for reading and listening to one of my blog posts.

Very gratefully yours,

will

A Beating Heart (re-visited!)

I have been watching a TV series called “Peaky Blinders” recently.

It’s quite dark yet beautifully made — and reminds me of a similarly high-quality series called “House Of Cards” from several years ago.

Both of them explore power and how we human beings are often overtaken and damaged by it.

Image by Gloria Williams from Pixabay

They also both opened my eyes to how complicated, interconnected and corrupt our human-created world can be… especially when our wounded hearts lead us astray into greed, retribution, domination and revenge.

I watched several episodes before bedtime; so it is probably not a surprise that I woke up in the middle of the night and was unable to fall back asleep…

So I got out of bed and skimmed my inbox — which these days means that I deleted inumerable emails asking for money from all sorts of political candidates and organizations — until I found two uplifting pieces of information.

1) News that Catherine Cortez Masso is projected to win her senate race here in the USA.

2) A wonderful blog post from Canada about the Japanese concept of IKIGAI which you can read by clicking here.

As Michelle explains it on her Boomer Eco Crusader blog, ikigai is similar to the French idea of raison d’être — which means “reason or justification for existence.”

And one can explore ikigai by reflecting upon four ideas/concepts/topics:

A) one’s own skills

B) the things one loves to do,

C) the things that the world needs,

and

D) activities one can be paid for.

Image by Angela C from Pixabay

Where all of these ideas/concepts/topics overlap is where one’s ikigai may be found.

And finding one’s ikigai can give one a reason to get up out of bed each morning…

Reading her blog post made me think immediately of a song I wrote called “A Beating Heart” — which I first shared in a blog post on April 29, 2014.

“A beating heart means you’re not dead.

A brand new start — get out of bed.

Your mission calls, and we all hope that you’ll succeed!

The time is here; the time is now.

So persevere; embrace the Tao.

Dear Lao Tse once decreed: only change is guaranteed…”

Image by Bohdan Chreptak from Pixabay

Deep breath in (like a whale…)

Deep breath out (like a whale…)

I have previously voiced a personal goal — which is to write shorter blog posts.

So I will end this blog post with a sincere hope that you, dear reader, are well on your way to finding your own ikigai!

And with thanks to Michelle for her inspiring blog.

And with thanks to the wonderful photographers and graphic artists at Pixabay.

And with thanks to Doug Hammer, for playing his Schimmel grand piano while also recording us at his terrific home studio.

And with thanks to Ashley Lieberman, who recently performed “A Beating Heart” here in the Boston area.

And with thanks to YOU for reading and listening to yet another one of my blog posts!

Image by Gordon Johnson from Pixabay

You are always welcome to visit my website — where you can find many songs and learn more about my musical life here on planet earth if you are curious.

You can also find “A Beating Heart” on various digital music platforms by clicking here.

You can also find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music, YouTube and other digital music platforms.

Any song you “like” or “heart” or add to one of your playlists will improve the algorithmic activity of my music there!

Image by congerdesign from Pixabay

Another deep breath in.

And deep breath out.

Very gratefully yours,

— will

In Praise of Food…and Lillian Rozin!

I am well aware that all sorts of challenging — and often heart-breaking — situations continue to unfold here on planet earth.

However, I have decided in recent blog posts to accentuate the positive.

Part of the fun of re-vamping my website earlier this year was re-visiting my musical past.

When I first started working at the Cambridge Center For Adult Education in Harvard Square, we co-produced a lot of events — open mics, workshops, seminars, performances — with the Boston Association of Cabaret Artists (BACA).

BACA is a humble and surprisingly resilient non-profit group which a bunch of us helped to start over 25 years ago.

And it is still going strong — an ongoing labor of love — due to the efforts of a generous and ever-evolving group of singers, musicians, songwriters and music fans who serve on its board, bless them.

I do not remember exactly how I met singer/actor Lillian Rozin, who is now a psychotherapist, yoga instructor and author, too.

Maybe at a BACA open mic?

In any case, we hit it off and Lillian started creating lavish spreads of appetizers and desserts for our open mic nights.

I am not someone who follows recipes or considers himself to be much of a cook.

But Lillian is an inspired and inspiring goddess in the kitchen.

She learned to love food and cooking from — among other people — her mother, the much-published food writer, Elizabeth Rozin.

Eventually we started performing together as “The Will & Lil Show” — co-creating two different shows of music and ideas before she moved from the Boston area back to her homeland of Philadelphia.

Our first show focused on the subject of water — in rivers, clouds, oceans, harbors, showers, wading pools, and even our own metabolisms.

We followed that with a show called We Are What We Eat — A Potluck Cabaret which featured songs about eating, serving and preparing food such as Cole Porter’s “The Tale of the Oyster,” Bernstein, Comden and Green’s “I Can Cook, Too,” Stephen Sondheim’s “The Ladies Who Lunch,” the Sherman Brothers’ “Feed The Birds,” and Stephen Schwartz’s “It’s An Art.”

The show began with Lillian and me on stage chopping and slicing and preparing various finger-foods while audience members were finding their seats.

Once everyone had arrived, we began singing a song (in the player at the start of the blog post) from William Finn’s musical “March Of The Falsettos” while serving the audience what we had been preparing onstage.

It was a lot of fun.

The original lyrics for “Making A Home” included some references to food — to which we added a few more.

Recently I was happy to find a computer disk which contained some of our original PR photos as well as a script for our food show.

Here’s a list of food-related items that we used during the show:

Image by Bernadette Wurzinger from Pixabay

Microwave pre-set with popcorn.

Baguette. 

Hardboiled eggs.

Little pots of strawberry jam.

Toast.

English muffin.

Little jar of mustard.

Watercress or heavy duty parsley.

Hamsteak.

Bones/chew toys.

Root vegetables.

Image by Jordan Stimpson from Pixabay 

Brie, cheddar, harvarti dill, goat, and cream cheeses.

Grapes.

Olives.

Cornichon.

Pop tarts.

Pringles potato chips.

Spam.

Count Chocula/Cocoa Puffs/Lucky Charms cereal boxes.

Jello.

Bacon bits.

Strawberry Newtons.

One pound of smoked fish.

Horseradish.

Lots of crackers.

Cider.

Bag of salad.

Packets of Sweet & Lo.

Vinegar cruet.

Celery.

Peanut butter and peanuts.

Bologna.

Non-dairy whipped topping.

Bananas.

Image by S. Hermann & F. Richter from Pixabay 

Melon.

Bosco.

Two pie plates.

Marischino cherries.

Cutting boards.

And knives.

As you can probably extrapolate from this list of props, we covered a lot of ground in this show — from the processed food industry (for which Lillian’s mother had once consulted) to food norms in different cultures (Lillian has traveled a lot) to my past as a child actor doing commercials for various food products (such as Ring Ding Juniors, Lifesavers, Imperial margarine, and Oreo cookies).

Here’s an excerpt from what we said after we sang “Making A Home” while serving appetizers to the audience.

Lil: “Will and I love to cook.”

Will: “And we love to feed other people what we have cooked.”

Lil: “And we love to eat; so this show was a no-brainer.

Will: “Eating is something that is easy to take for granted. 

Lillian Rozin and Will McMillan standing back to back and smiling...
Photo by Stephen C. Fischer

Lil: “We do it several times a day, often out of habit or while we are focused on something else.”

Will: “But eating is really a magical process.  Think about it… radiation from a nearby star is captured by plants who transform it into something that we can absorb into our bodies, which becomes… us.”

Deep breath in.

Deep breath out.

Over twenty years later I am still amazed by how life works here on planet earth!

Near the end of the show Lillian tied me to a chair while singing “Have An Eggroll Mr. Goldstein” from Gypsy and stuffing all sorts of delicious, cut-up fruit into my mouth.

Then we sang “You’re The Cream In My Coffee” while throwing pie plates full of non-dairy whipped topping in each other’s faces.

Our encore was “Life Is Just A Bowl Of Cherries.”

This delightful anthem was written by Lew Brown (lyrics) and Ray Henderson (music) for Ethel Merman to sing in George White’s Scandals of 1931 after she had rejected another song they had wanted her to perform.

I am very thankful that Ms. Merman knew — when she was still in the early years of her extraordinary career the entertainment industry — what kind of song she could and couldn’t deliver to an audience.

Otherwise Ray and Lew might not have written this musical gem.

Image by StockSnap from Pixabay

Thank you for reading and listening to this somewhat light-hearted blog post.

I will undoubtedly return to more serious topics in the future.

Today I have been inspired by a statement currently circulating (I hope accurately) on FaceBook from a Hopi Indian Chief named White Eagle.

“This moment humanity is experiencing can be seen as a door or a hole. The decision to fall in the hole or walk through the door is up to you.

“If you consume the news 24 hours a day, with negative energy, constantly nervous, with pessimism, you will fall into this hole. But if you take the opportunity to look at yourself, to rethink life and death, to take care of yourself and others, then you will walk through the portal…

“Don’t feel guilty for feeling blessed in these troubled times. Being sad or angry doesn’t help at all…

Lillian with her beloved dog Albee!

“Show resistance through art, joy, trust and love.”

Another deep breath in.

And deep breath out.

Thank you to Lillian Rozin for being one of my favorite collaborators… and one of my favorite chefs, too!

Thank you to Doug Hammer for playing piano AND recording the rehearsal from which we recently selected and mixed these songs.

Thank you to Ray Brown and Lew Henderson for writing “LIfe Is Just A Bowl Of Cherries” — and to Ethel Merman for inspiring them to do so.

Thank you to William Finn for writing “Making A Home.”

You are always welcome to visit my website — where you can find more songs from The Will & Lil Show celebrating food.

Or you can find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music and other digital music platforms.

And if you are hungry for more music, you are welcome to listen to my latest release, “The Carter Family” by Carly Simon and Jacob Brackman on a bunch of different digital music platforms.