Overjoyed…

I picked today’s song because WordPress tells me that this is my 100th blog post.

If I had been asked to guess how many blog posts I’ve written since I started in 2013, I would have said 30 – 40.

So I am surprised to discover that this is #100.

As loyal readers from the past years can attest, I do not write on a regular schedule.

If I do the math, however, I find that I have averaged one post per month.

Image by David Mark from Pixabay 

I am often happy — and sometimes even overjoyed — to be part of our WordPress writing community.

It is thrilling to check my statistics and find that folks have been reading and listening from different countries around the planet.

THANK YOU to everyone who has read and/or listened to one of my blog posts during the past eight years!

And a special thank you to the folks who have taken the time to leave a comment.

Reading and responding to these comments — and also writing comments after reading other people’s blog posts — is how the WordPress community comes to life!

“Overjoyed” was written by Stevland Hardaway Morris a.k.a Stevie Wonder and first appeared in 1985 on his 20th studio album, In Square Circle.

I am not sure when I first heard it — maybe when he performed it on Saturday Night Live or perhaps when a college friend, Rex Dean, sang it?

It became somewhat of an obsession for me and several of my musical friends…

Image by Ben Kerckx from Pixabay

I finally performed “Overjoyed” in 2006 as part of a program of songs written by people named Steve — which also featured songs by Stephen Schwartz, Stephen Foster, Stephen Sondheim, Cat Stevens, Stephen Flaherty, Steve Schalchlin, and my friend Steve Sweeting (several of whose songs have been highlighted in previous blog posts).

This recording is from a rehearsal at pianist Doug Hammer‘s studio north of Boston, MA, which was attended by a journalist, Joel Brown, who ended up writing a lovely feature story in the Boston Globe to help spread the word before my performance at Scullers Jazz Club.

If you are curious, you can read it on my website (look for “Interviews — Boston Globe June 4, 2006).

This recording also features a wonderful musician, Mike Callahan, playing clarinet.

Photo from MSU Website

I met Mike when he was an undergraduate at Harvard.

He arranged a bunch of songs for me to sing with the Harvard Pops Orchestra — and then later with the Timberlane Pops. You can click here to see him and me in action if you are curious.

He can play just about any instrument (which is very useful when one is arranging a song for an entire orchestra) and is also a delightful human being.

Mike went from Harvard to the Eastman School Of Music, where he earned an MA and a PhD and is now a professor at Michigan State.

If you click here, you can read his bio to learn more details about his outstanding musical life.

Finding strong takes from previously recorded rehearsals and then polishing them with Doug via Zoom has also been a process which has given me much joy during the past year.

And — well-masked — we’ve even started recording a new batch of my original songs in the past month (I take off my mask when I am in the vocal recording booth…)

Hopefully a few of them will turn out well enough for me to share them in future blog posts.

Watching things grow in the planters on my back porch this past summer has also been a quietly joyful pastime.

Photo by Carole Bundy

I started with kale, basil, tomatoes and marigolds.

The tomatoes yielded a small but sublime harvest of vegetable gems.

Mine were yellow, and I did not document them with a photograph because they were so tasty I had to eat them as soon as they became ripe.

But my friend Carole Bundy sent me this lovely photo of HER first two tomatoes.

I’ve also been eating one brilliant green leaf of kale every week or so…

When the tomatoes were done, I replaced them with cut up chunks of a potato which my mother brought to family gathering earlier this summer.

It was one of a batch which she described as being the most delicious potatoes she had eaten in a long time.

I wasn’t sure if the cut up chunks would grow, but they did have many “eyes” on them…

Now I am overjoyed that one of them has sprouted, grown tall, and even flowered!

I was very surprised by the flowers, which are quite pretty and fragrant.

Photo by me

They have also lasted a long time.

Now the soil under the flowering plant is starting to bulge a bit.

I think I may need to pile more dirt on top of what may be one or more baby potatoes growing down below…

The cat in this photo lives with our neighbors upstairs.

I may write about her in a future blog post.

Trixie did something on 9/11/21 which was heart-wrenching (not to her but to me and maybe also to her owner).

But that is a story for another day and another blog post.

Today’s theme is joy and gratitude.

Thank you to the great photographers who share their photos with the world via Pixabay.

I am overjoyed that I can include your photos in my blog posts.

Thank you to all the great songwriters named Steve.

I am overjoyed to sing your songs.

Thank you to Doug and Mike for your musical gifts — and thank you to Doug for your engineering magic, too.

I am overjoyed to be able to make music with you both.

Image by Mircea Ploscar from Pixabay 

Thank you to the plants which have been so patient and cooperative with my humble attempts at gardening — as well as generous with their fruits and leaves and roots!

I am overjoyed that you breath out what I breath in and vice-versa.

I know I thanked my readers earlier in this blog post, but I will now thank you again!

THANK YOU.

It is a pleasure and an honor to be part of this WordPress community.

Image by John Hain from Pixabay 

PS: You are always welcome to visit my website — where you can find all sorts of songs.

Or you can find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music and other digital music platforms.

And if you are hungry for more music, you are welcome to listen to a sublime version of “In My Life” which I recorded with Doug Hammer.on a bunch of different digital music platforms.

In Praise of Food…and Lillian Rozin!

I am well aware that all sorts of challenging — and often heart-breaking — situations continue to unfold here on planet earth.

However, I have decided in recent blog posts to accentuate the positive.

Part of the fun of re-vamping my website earlier this year was re-visiting my musical past.

When I first started working at the Cambridge Center For Adult Education in Harvard Square, we co-produced a lot of events — open mics, workshops, seminars, performances — with the Boston Association of Cabaret Artists (BACA).

BACA is a humble and surprisingly resilient non-profit group which a bunch of us helped to start over 25 years ago.

And it is still going strong — an ongoing labor of love — due to the efforts of a generous and ever-evolving group of singers, musicians, songwriters and music fans who serve on its board, bless them.

I do not remember exactly how I met singer/actor Lillian Rozin, who is now a psychotherapist, yoga instructor and author, too.

Maybe at a BACA open mic?

In any case, we hit it off and Lillian started creating lavish spreads of appetizers and desserts for our open mic nights.

I am not someone who follows recipes or considers himself to be much of a cook.

But Lillian is an inspired and inspiring goddess in the kitchen.

She learned to love food and cooking from — among other people — her mother, the much-published food writer, Elizabeth Rozin.

Eventually we started performing together as “The Will & Lil Show” — co-creating two different shows of music and ideas before she moved from the Boston area back to her homeland of Philadelphia.

Our first show focused on the subject of water — in rivers, clouds, oceans, harbors, showers, wading pools, and even our own metabolisms.

We followed that with a show called We Are What We Eat — A Potluck Cabaret which featured songs about eating, serving and preparing food such as Cole Porter’s “The Tale of the Oyster,” Bernstein, Comden and Green’s “I Can Cook, Too,” Stephen Sondheim’s “The Ladies Who Lunch,” the Sherman Brothers’ “Feed The Birds,” and Stephen Schwartz’s “It’s An Art.”

The show began with Lillian and me on stage chopping and slicing and preparing various finger-foods while audience members were finding their seats.

Once everyone had arrived, we began singing a song (in the player at the start of the blog post) from William Finn’s musical “March Of The Falsettos” while serving the audience what we had been preparing onstage.

It was a lot of fun.

The original lyrics for “Making A Home” included some references to food — to which we added a few more.

Recently I was happy to find a computer disk which contained some of our original PR photos as well as a script for our food show.

Here’s a list of food-related items that we used during the show:

Image by Bernadette Wurzinger from Pixabay

Microwave pre-set with popcorn.

Baguette. 

Hardboiled eggs.

Little pots of strawberry jam.

Toast.

English muffin.

Little jar of mustard.

Watercress or heavy duty parsley.

Hamsteak.

Bones/chew toys.

Root vegetables.

Image by Jordan Stimpson from Pixabay 

Brie, cheddar, harvarti dill, goat, and cream cheeses.

Grapes.

Olives.

Cornichon.

Pop tarts.

Pringles potato chips.

Spam.

Count Chocula/Cocoa Puffs/Lucky Charms cereal boxes.

Jello.

Bacon bits.

Strawberry Newtons.

One pound of smoked fish.

Horseradish.

Lots of crackers.

Cider.

Bag of salad.

Packets of Sweet & Lo.

Vinegar cruet.

Celery.

Peanut butter and peanuts.

Bologna.

Non-dairy whipped topping.

Bananas.

Image by S. Hermann & F. Richter from Pixabay 

Melon.

Bosco.

Two pie plates.

Marischino cherries.

Cutting boards.

And knives.

As you can probably extrapolate from this list of props, we covered a lot of ground in this show — from the processed food industry (for which Lillian’s mother had once consulted) to food norms in different cultures (Lillian has traveled a lot) to my past as a child actor doing commercials for various food products (such as Ring Ding Juniors, Lifesavers, Imperial margarine, and Oreo cookies).

Here’s an excerpt from what we said after we sang “Making A Home” while serving appetizers to the audience.

Lil: “Will and I love to cook.”

Will: “And we love to feed other people what we have cooked.”

Lil: “And we love to eat; so this show was a no-brainer.

Will: “Eating is something that is easy to take for granted. 

Lillian Rozin and Will McMillan standing back to back and smiling...
Photo by Stephen C. Fischer

Lil: “We do it several times a day, often out of habit or while we are focused on something else.”

Will: “But eating is really a magical process.  Think about it… radiation from a nearby star is captured by plants who transform it into something that we can absorb into our bodies, which becomes… us.”

Deep breath in.

Deep breath out.

Over twenty years later I am still amazed by how life works here on planet earth!

Near the end of the show Lillian tied me to a chair while singing “Have An Eggroll Mr. Goldstein” from Gypsy and stuffing all sorts of delicious, cut-up fruit into my mouth.

Then we sang “You’re The Cream In My Coffee” while throwing pie plates full of non-dairy whipped topping in each other’s faces.

Our encore was “Life Is Just A Bowl Of Cherries.”

This delightful anthem was written by Lew Brown (lyrics) and Ray Henderson (music) for Ethel Merman to sing in George White’s Scandals of 1931 after she had rejected another song they had wanted her to perform.

I am very thankful that Ms. Merman knew — when she was still in the early years of her extraordinary career the entertainment industry — what kind of song she could and couldn’t deliver to an audience.

Otherwise Ray and Lew might not have written this musical gem.

Image by StockSnap from Pixabay

Thank you for reading and listening to this somewhat light-hearted blog post.

I will undoubtedly return to more serious topics in the future.

Today I have been inspired by a statement currently circulating (I hope accurately) on FaceBook from a Hopi Indian Chief named White Eagle.

“This moment humanity is experiencing can be seen as a door or a hole. The decision to fall in the hole or walk through the door is up to you.

“If you consume the news 24 hours a day, with negative energy, constantly nervous, with pessimism, you will fall into this hole. But if you take the opportunity to look at yourself, to rethink life and death, to take care of yourself and others, then you will walk through the portal…

“Don’t feel guilty for feeling blessed in these troubled times. Being sad or angry doesn’t help at all…

Lillian with her beloved dog Albee!

“Show resistance through art, joy, trust and love.”

Another deep breath in.

And deep breath out.

Thank you to Lillian Rozin for being one of my favorite collaborators… and one of my favorite chefs, too!

Thank you to Doug Hammer for playing piano AND recording the rehearsal from which we recently selected and mixed these songs.

Thank you to Ray Brown and Lew Henderson for writing “LIfe Is Just A Bowl Of Cherries” — and to Ethel Merman for inspiring them to do so.

Thank you to William Finn for writing “Making A Home.”

You are always welcome to visit my website — where you can find more songs from The Will & Lil Show celebrating food.

Or you can find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music and other digital music platforms.

And if you are hungry for more music, you are welcome to listen to my latest release, “The Carter Family” by Carly Simon and Jacob Brackman on a bunch of different digital music platforms.

A Love Letter to the Postal Service…

As some of you may know, postal rates are going up at the end of the month — August 29th.

A regular stamp will cost 58 cents, and postcard stamps will go up to 40 cents.

If you are a fan of sending and receiving cards and letters (or you still pay some of your bills by mail…) now is the time to stock up on stamps!

I am a huge fan of stamps AND of the US postal service.

You can click here to see all the stamps currently for sale by the US Post Office online.

I am using some of my recent favorites to illustrate this blog post.

I feel the postal service is one of the things that still connects all of us — and that we all continue to use on a regular basis — regardless of political ideology, religious affiliation, racial ancestry, and socio-economic status (although the rates going up and up and up certainly make it more expensive to use…)

I also like our postal carrier, Rob.

He has been assigned to our neighborhood for the past decade (at least), and his familiar face — and warm personality — weave all of us in this section of East Arlington together on a daily basis.

Mostly what I receive in the mail are bills, credit card statements, requests for money from organizations to which I may have given a tiny amount of money in the past (or from new organizations to whom someone has given or sold my name and address) and advertisements.

On very rare occasions, I get a handwritten — and sometimes even a handcrafted! — card.

And I savor it…

Deep breath in.

Deep breath out.

I am not sure exactly what makes a hand-written card/note/letter different from an email/text message.

There is the pleasure of seeing a person’s individual, idiosyncratic, and — in a few cases — beautiful handwriting.

I also like knowing that the person who wrote it has touched the same paper and the envelope and the stamp that I am now touching as I rip it open and read it.

And I like seeing what stamp they have selected.

But there is also — for me at least — an element of respect that is somehow implied by the fact that they found the time to find a card (or piece of paper), write something on it, put it into an envelope, address it, stamp it, and get it into the mail.

And then, somewhat magically, it finds its way to me!

I have had jobs which included dropping off mail at both a local office and at a huge regional mail sorting center.

I have seen the people and conveyor belts and sorting machines and wheeled carts and trucks that are responsible for a card or letter or package getting from point A to point B.

It is quite a feat of logistics which most of us take for granted.

And I have never had a card or letter or bill payment (that I know of…) get lost.

On rare occasions I have received something which got a little chewed up en route.

But it was still legible.

In particular I love to send “thank you” cards.

It became a habit when I was given a promotion from part-time events coordinator to full-time PR director (who still coordinated a lot of events) at the Cambridge Center For Adult Education over twenty years ago.

Email was just becoming a regular thing — and hand-written cards were becoming more of a rarity.

Any time a media person included one of our classes or events in a calendar listing, or mentioned us in an article, or interviewed one of our teachers, or mentioned us on the radio, or covered us in any way — I sent them a hand-written “thank you” card.

I wanted to thank them, AND I also wanted to jumpstart (and then nurture) a relationship with them so that when they were next on a deadline and needed some expert to interview for a story, they might be more inclined to think of us as a potential resource.

Or when they had to choose an event to feature in their weekly calendar, they might be a little more likely to select one of our offerings.

Or they might even come and take one of our classes — or attend one of our poetry readings or concerts or workshops.

I was happily surprised (and a little bit embarrassed) to learn, when I attended an annual conference of local black journalists one year, that I had even become slightly infamous when an editor from The Boston Globe referred to me as “the guy who sends all of those ‘thank you’ notes.”

I continue to send “thank you” cards after every one of my gigs to the person who booked us — and sometimes also to the person who welcomed us and made sure we were all set up, too.

And I send “thank you” notes for gifts I receive, to family or friends who feed me dinner or host me on trips, and to local media folks who write about me and my musical life here on planet earth.

I love the cards at Trader Joe’s (only a buck each) and have learned that if I see something I like, I need to buy a bunch of them because I may never see them again for sale.

And every six months or so I go to a local discount department store, TJ Maxx, in a strip mall located a 12-minute bike ride from home.

If I am lucky, they have a bunch of simple, elegant “thank you” cards (in boxes of 12 or 15 or even 20!) at a half or a third of their regular price.

This translates to anywhere from 25 to 50 cents per card.

Then I buy 5-10 boxes of whatever is nicest (because I’ll probably never see any of THEM for sale either) and ride home feeling very rich in ‘thank you” cards.

Same thing for stamps.

If I see some I like, I buy many sheets (or rolls) of that particular design because there is no telling when they will sell out at my local post office — located a four-minute walk from my home.

I guess I could order them online, but I love going to an actual post office and talking with an actual postal employee.

I don’t love putting on two face masks — a medical one and a fabric one — before I go inside, but the more infectious Delta mutation is on the rise even here in relatively well-vaccinated Massachusetts.

So I am using face masks again when I am inside a public space like a post office or grocery store.

Last week when I bought a bunch of stamps, I was the only customer in the post office — which made my visit short and sweet.

I purchased $800 worth of postcard stamps — with a selection of beautiful barns on them — to go along with the 10,000 postcards I ordered earlier this year.

Actually I only ordered 5,000 postcards, but the printer did not understand the four-card template I sent to them and misprinted the first 5,000 (with four small messages rather than one big message on each card).

Then they very generously reprinted them correctly at no extra cost; so I ended up with 10,000 cards total — half of which say “The future belongs to those who vote,” and half of which say the same thing but four times and in much small type.

I mail them — along with a recommended hand-written message — to potential voters all over the USA who have a local election coming up (which they may or may not be aware of…)

It is one of the ways I attempt to ward off my profound disappointment — verging at times on terror — with how political events have been unfolding recently in these not-very-United States.

But this blog post is not intended to be a downer.

The recording I’ve included is a fun take of “Please Mr. Postman” written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland, and Robert Bateman. 

Wikipedia reminded me that it was the debut single by a Motown/Tamla group called The Marvelettes — originally released sixty years ago in August 1961.

Apparently the songwriter credits have varied over time — but the current copyright, I am happy to see, includes Georgia Dobbins, who was the original lead singer for The Marvelettes.

She helped create the first version of the song (which she and her bandmates sang when they auditioned for Motown/Tamla) by adapting a blues written by her friend William Garrett.

Her version was then re-worked by several Motown/Tamla songwriter/producers, including Freddie Gorman — who was also an actual Detroit postman.

I am particularly glad that she is included as a co-songwriter, because Wikipedia reports that Ms. Dobbins left the group soon after they were signed by Berry Gordy and before they recorded “Please Mr. Postman.”

There must be more to THAT story…

The song she helped to write became a hit — crossing the Atlantic to the UK where The Beatles quickly added it into their repertoire and eventually recorded it two years later in 1963.

Another thing I learned is that Marvin Gaye played drums on The Marvelettes’ version!

The Carpenters made it a hit yet again in 1975, and their version was sampled and used in another song called “Oh Yes” by the rapper Juelz Santana in 2006.

It is fascinating to see how songs, like viruses, move from one human host to another and creatively mutate over time…

The version at the beginning of this blog post is from a rehearsal I did a few years ago with the wonderful pianist Doug Hammer and a great female who shall remain nameless (until she decides if she’d like to be publicly credited).

I emailed her a copy of this recording after Doug and I spent a few hours tidying it up sonically, and I haven’t heard anything back yet.

I love the playful and somewhat spontaneous spirit of this recording, which I think was take number three during our rehearsal for the opening of an art exhibit called ART/Word which my sweetheart produces each year with a different theme.

The artistic theme that year was “Letters.”

I will end by thanking this mystery singer for joining me in our fun rendition of this song.

And thanking Doug Hammer for his gifts as a pianist AND engineer/producer.

And thanking the US postal service for continuing to exist and function!

And thanking the artists who create such an extraordinary variety of artwork for our stamps.

And thanking YOU for reading and listening to yet another one of my blog posts.

Do you still send hand-written cards and letters to anyone?

If you are hungry for more music, you are welcome to listen to my latest release, “The Carter Family” by Carly Simon and Jacob Brackman on a bunch of different digital music platforms.

And you are always welcome to visit my website — or you can find me singing (with Doug Hammer playing his Schimmel grand piano) on SpotifyPandoraApple Music and other digital music platforms.

Let’s continue to find new ways to reduce our carbon footprint on this precious planet each and every day!

There are far too many forest fires and floods and mudslides happening these days…

Deep breath in.

Deep breath out!

Flight

Greetings!

More than two months has passed since my last blog post.

I started writing several drafts, but none seemed worthy of completion…

This morning, however, I awoke from very sweet dreams — about returning to my elementary school as an adult — and started the day by stretching on our back porch.

Photo by Russell_Yan from Pixabay  

A mockingbird was singing a wonderfully idiosyncratic song from a nearby roof, and the sky above me was totally blue.

Many birds passed high in the sky — swallows swooping back and forth (maybe catching bugs?), a pair of ducks en route from one body of water to another, some cooing doves, a bright red cardinal, and a seagull.

They reminded me of a song by Craig Carnelia called “Flight.”

It was first recorded by actress and singer Karen Akers in 1994, and since then it has been performed by a bunch of Broadway folks including Ben Platt, Betty Buckley, Brian Lane Green, and Sutton Foster.

The Cambridge Center For Adult Education

When I recorded it with pianist Doug Hammer, I was still working as the assistant director of a non-profit in Harvard Square — the Cambridge Center for Adult Education — and longing to break free from my day job so that I could devote myself to making music.

I had started at the CCAE by volunteering to help with a new musical series that the PR director, a wonderful singer named Tracy Gibbs, was putting together called The Cabaret Connection.

My offer to help transformed into a part-time job overseeing not only The Cabaret Connection but also another series called The Jazz Chair and a few other special events.

Then I began sharing responsibility for publicizing these events, and when Tracy left for a new job, I was offered a full-time position as PR director for the entire CCAE.

Photo by Peter H from Pixabay 

This was not my plan.

My plan was to have a part-time day job so that I could continue to do plenty of music on the side.

But now my day job would INCLUDE music — and I would gain new perspectives (such as what it was like to have performers contacting me about the possibility of being booked into one of our musical series…)

So I said, “Yes.”

After a few years, our development director left, and I took over her responsibilities as well.

Eventually I became assistant director and helped to bridge the transition between the retirement of our beloved executive director and the arrival of his successor.

Photo by Bessi from Pixabay 

Then I was laid off.

Yikes!

Time for a deep breath in.

And deep breath out.

This was a surprise and a shock — but perhaps also a blessing.

I had been working 40-70 hours per week for many years — and I was grateful to slow down.

I also have a fair amount of “the disease to please” in my emotional constitution as well as a low tolerance for risk.

Photo by Gerhard Bögner from Pixabay

So even though many of my more psychologically astute (and cherished) co-workers had seen the writing on the wall regarding the pros and cons of our new executive director and had found new employment elsewhere, I had remained loyal (or some might say “stuck”) to the longtime CCAE community of teachers, board members, students and volunteers.

Being laid off might have been the only way to get me to leave.

And dare to focus on music.

Another deep breath in.

And deep breath out.

Photo by Nora Dybdal

So I signed up to learn how to be a Music Together teacher — which some of my musical peers had thought I might enjoy.

And they were right!

I also began putting together one-hour programs of music with a jazz pianist, Joe Reid, who had left full-time employment as a corporate lawyer to pursue HIS love of music.

And I continued writing songs.

Now I listen to “Flight” with a very different perspective from when I first learned it — and was feeling such a longing to break free…

Now my time is completely my own — to vision, to plan, to shape, to fill!

I have nothing I want to escape.

My only deadlines are the minor ones I give myself AND the major ones related to climate change which loom ever larger and more terrifying with each passing day of denial and inaction.

Photo by Shutterbug75 from Pixabay 

Another deep breath in.

And deep breath out.

I love the imagery in Craig’s lyrics — and the flow of the narrator’s thought processes from one moment to the next…

Photo by Jörg Peter from Pixabay 

It reminds me of a sailboat tacking to and fro in response to the ever-changing winds.

However, we human beings were not satisfied with sailboats.

So we created the motorboat, which zooms, noisily and relentlessly — oblivious to what it might run over, hit, injure, or disrupt — in a straight line from point A to point B.

And then the airplane!

Life before fossil fuels seems like it was much less linear.

Paths and roads followed the curves of hills and streams — rather than being bulldozed or dynamited to create the most efficient and convenient line of travel.

I saw this same phenomenon in the sky this morning — with birds swooping in curvy lines while far above them a jet plane left a perfectly straight line of moisture and toxic emissions in the sky…

Photo by Dan Fador from Pixabay 

Yet another deep breath in.

And deep breath out.

The desire to fly — and perhaps to fly away — has been with us human beings for thousands of years.

I often think about the myth of Daedalus and his son Icarus — who enthusiastically flew too high and too close to the sun (forgetting or ignoring his father’s warning about how the wax adhering the feathers of his marvelously-constructed wings could melt…) and fell to his death in the Mediterranean sea.

Oftentimes our human culture in the 21st century seems to be soaring ever higher on a frantic, teen-aged exuberance for relentless, profit-driven innovation and stimulation.

Photo by danny moore from Pixabay 

We ignore wise warnings about how our fossil-fuel-powered desires (for 24/7 computer functionality, for food at any hour of the day or night (much of it shipped from hundreds or even thousands of miles away), for the ability to travel via motorcycle, car, motorboat, ocean liner, bus, train, or plane wherever we want (and as much as we can afford… or choose to put on a credit card), for alternative currencies, etc. are leading us faster and faster towards global catastrophe.

One would think that any one of the challenges we have experienced in recent years here in the USA — flooding of major cities, changing weather patterns which have led to increased wildfires/hurricanes/tornadoes, as well as a year-long viral pandemic — might lead us to re-think and change our habits of consumption.

And might lead us to listen to scientists with a deepened respect.

Photo by WikiImages from Pixabay 

But I don’t see much of that happening…

Denial is indeed an extraordinary human phenomenon.

I certainly understand why the likely scenarios — such as famine, wars over water and arable land, vast migrations of desperate refugees, more epidemics of diseases — are too terrifying for most of us to set aside any time to contemplate.

How about a really deep breath in…

And a really deep breath out….

Photo by Pierangelo Averara from Pixabay 

The most recent — and to me ridiculous — example of our human hubris is Amazon gazillionaire Jeff Bezos building a huge, 500-million-dollar super-yacht.

And — getting back to the topic of flight — the creation of rocket ships — which take our human desire for flight to an entirely different level.

I saw a posting on Facebook recently with which I immediately agreed:

Photo by GooKingSword from Pixabay 

“Mars sucks. Its weather sucks. Its distance sucks. Its atmosphere sucks. The little water it has…sucks. It has sucked for billions of years and will suck for billions more…

You know what doesn’t suck?

Me, earth.

I have life.

I have vast oceans and lush forests.

I have rivers to swim and air to breath.

But the way I’m being treated — that part sucks.

You use me and pollute me.

You overheat me.

You use every resource I have, and return very little back from where it came.

And then you dream of Mars — a hellhole — a barren, desolate wasteland you can’t set foot on fast enough.

Why not use some of that creative energy and billions of dollars on saving me? You know, the planet that’s giving you what you need to live right now.

Mars can wait.

I can’t.”

Photo by Free-Photos from Pixabay 

The only part of this posting with which I don’t agree is the idea that earth needs to be saved.

I am pretty confident that planet earth — having already withstood billions of years of evolutionary changes — will be OK.

We human beings are the ones whose existence is at stake — along with the millions of other forms of life (such as birds and bees and fungi and bacteria and trees and grasses and turtles and whales and algae and shrimp and wolves and bison) which are vital links in the amazing web of life here on planet earth which we are in the process of altering and destroying.

Deep sigh.

Awake, fellow humans!

Now is the time to make significant changes in how we live here on planet earth…

I am very grateful to the wonderful photographers who share their images at Pixabay.

I would also like to thank pianist/producer Doug Hammer for playing so magnificently on this track.

Another big thank you to Craig Carnelia for writing “Flight.”

And a final thank you to YOU for reading — and listening — to yet another one of my blog posts.

Photo by jplenio from Pixabay 

I’ve re-designed my website in recent months to include a LOT more music — and you are always welcome to visit there.

You can also find me on Spotify, Pandora, Apple Music and other digital music platforms.

One final breath in.

And out.

Life goes on…

Help Is On The Way

Image by Comfreak from Pixabay 

“Don’t give up the ship — even when you feel it sinking and you don’t know what to do…” writes David Friedman in his great song, “Help Is On The Way.”

I found myself thinking about this song when I heard Senate Majority Leader Chuck Schumer say “Help is on the way!” on TV after helping to pass the American Rescue Plan.

Although I have not been able to confirm this from searching the internet, I think David Friedman created this song during a previous plague — HIV/AIDS.

I wrote about David in a post three years ago which you can read if you are curious by clicking here.

Image by Plz from Pixabay

Some were willing and able to ignore the threat of HIV/AIDS when it appeared — as some are still attempting to do with COVID-19.

However, HIV/AIDS left a vast trail of shock and grief for many human beings — as COVID-19 is now doing…

Deep breath in.

Deep breath out.

I thought of this song again when I was listening to yet another medical expert pleading with us to continue to wear masks, wash our hands, and practice physical dustancing.

Image by David Mark from Pixabay

“We have the football on the five-yard line,” he said, “and we’ve got to hang in there so that we don’t lose possession of the ball when we are so close to making a touchdown and winning the game.”

His football metaphor was inspired by the fact that many states in the USA are currently relaxing health measures even as new — more communicable and possibly more lethal —varieties of the COVID-19 virus are spreading exponentially around the country.

Apparently we are now in a contest to see if we can vaccinate enough people before we are overtaken by yet another tidal wave of infections due in part to these new genetic variations and in part to us human beings letting down our guard.

Another deep breath in.

And deep breath out.

Image by Miroslava Chrienova from Pixabay

My heart goes out in particular to the health care workers who — amazingly — continue to care for people infected with Covid whether the infected people had chosen to take Covid seriously in the first place or not…

I’m not a healthcare worker or someone with a job that requires interaction with the public or a senior citizen.

So I’m wearing a mask when I go outside for my daily walks and waiting patiently — as I know many of us are — until I become eligible to get vaccinated.

Singer Bobbi Carrey, pianist Doug Hammer and I recorded this song many years ago as part of a musical program called IN GOOD COMPANY which explored working and business and capitalism using songs and stories.

Image by David Mark from Pixabay

I consider it to be a quintessential “helps me get out of bed in the morning” song.

And I’ve been needing these sorts of songs in recent weeks — because I’ve been feeling rather crabby.

Maybe it’s the rising spring energy of the northern hemisphere as we struggle — like bulbs — to push our way through the thawing soil towards the sun.

Maybe it’s the fact that a pandemic which we all thought might last a month or two has now stretched past the one year mark…

Maybe it’s an at-times-overwhelming sense of empathy for all of the folks who have already died due to Covid-19 — AND for their grieving family + friends.

Maybe it’s a sense of frustration that we human beings seem to have done an extremely poor job of teaching one another about the formidable power of exponential growth.

One doubles and becomes two.

Two doubles and becomes four.

Four doubles and becomes eight.

Eight doubles and becomes sixteen.

Sixteen doubles and becomes thirty-two.

Thirty-two doubles and becomes sixty-four.

Sixty-four doubles and becomes one hundred-and-twenty eight.

And sooner than one might think possible, the total rises into the thousands, then millions, then billions…

Understanding exponential growth deepens one’s respect/humility/awe/terror for how a virus left un-checked spreads exponentially through a host population — and thus has vastly more opportunities to mutate into new varieties as a result…

This is why we need to be distributing COVID-19 vaccines to every country in the world — even countries such as Tanzania, led by a Covid-denying leader who recently died after an 18-day period of ill health…officially attributed to a heart condition and unofficially speculated to have been Covid-related.

Image by David Mark from Pixabay

Clearly it is a huge challenge to change anyone’s mind when they have very strong convictions about a particular topic.

Here in the USA the Covid-related death of a newly elected, incoming, 41-year-old congressman from Louisiana — Luke Letlow — has done little to change the mindset and behavior of some of his Republican colleagues regarding the severity of the risk of Covid infection.

Yet another deep breath in.

And deep breath out.

Image by David Mark from Pixabay

I don’t entirely believe the message of this song — although I WANT to believe it because it gives me hope.

My favorite line is probably “from friends we may not have met yet.”

I feel that way about some of my fellow bloggers, and also about some of the photographers on Pixabay.

Now that I have started including their names underneath their beautiful photographs, I have begun noticing that certain photographers have taken a LOT of the photos I’ve used in past blog posts.

Image by David Mark from Pixabay

David Mark is one of them.

Many of the images in this blog post were taken by him.

And he has thousands more at Pixabay.

I will end this blog post with several more of his lovely images.

Thank you to David Friedman for his wonderful songs and to Forbes Magazine for this great interview with him.

Thank you to Doug Hammer and to Bobbi Carrey for their heartful musicianship.

Thank you to all the “friends we may not have met yet” — who are growing our food, developing new vaccines, taking care of us in hospitals, working in grocery stores, delivering packages, etc. etc. etc.

Image by David Mark from Pixabay

Thank you to Pixabay and all of the photographers who generously share their images there — and allow me to travel far and wide around this extraordinary planet earth without leaving my living room.

Thank you to the cardinals who have been singing and singing and singing in my neighborhood in recent days.

Image by David Mark from Pixabay

Thank you for the return of spring here in New England.

And thank YOU for reading and listening to another one of my blog posts.

I’ve re-designed my website in recent months to include a LOT more music — and you are always welcome to visit there.

You can also find me on Spotify, Pandora, Apple Music and other digital music platforms.

One more deep breath in.

And deep breath out.

“Help is on the way…”

Say Moon, Say Stars, Say Love…

I am writing this blog post as I watch many inaugural events on TV.

So far everything has gone well.

For this I am deeply grateful.

Deep breath in.

Deep breath out.

The song for this blog post, “New Words,” was written by Maury Yeston — a professor at Yale who also created beautiful songs for the Broadway musicals NINE and TITANIC.

I first heard it sung by a woman named Andrea Marcovicci at Town Hall in New York City.

She also recorded it, along with a bunch of other great songs by contemporary songwriters, on a CD called NEW WORDS.

I performed it as part of an evening of SONGS ABOUT PARENTS AND CHILDREN, and again as part of a cycle of songs I shared at my 25th high school reunion.

Then last year this version gracefully jumped out of my archives of past rehearsals with pianist Doug Hammer — and I decided I would wait until after our new president was inaugurated to release it.

After four years of a certain kind of leadership, I have been hungry for a new tone…

A new sense of respect…

A new vision for the future…

And new words…

Another deep breath in.

And deep breath out.

Ahhhhh….

Yes.

New words!

I have been told — and sometimes have experienced with my own eyes and ears — that underneath anger and acting out and conspiracy theories and doomsday scenarios and threatening comments and violence and all sorts of drama is simply…

Fear.

And pain.

Pain from past hurts…

Past losses…

Past disrespects…

Past disappointments…

Past abandonments…

Past abuses of trust…

Past unhappiness of all different shapes and sizes and colors and tastes and smells and densities…

Yes.

Pain.

And fear.

I breathe them in.

And then I breathe them out.

Ahhhhh….

Like many of us, I’ve experienced new pains and new fears during this past year.

I don’t need to go into any of the details, which I have so far chosen to keep private.

Suffice to say that some of them involve rites of passage related to families and health and time and aging which all of us inevitably experience in one form or another.

And some of them involve things which have happened locally, nationally, and globally.

I have a sense that our new president — who has himself experienced some of the most profound losses a human being can experience — and our new vice-president — who has experienced life as a child of immigrants, as a woman, as a person of color, as an attorney general, and as a US senator — may be able to offer us some new words of consolation.

And comfort.

And acknowledgement.

And justice.

And inspiration.

And healing.

We shall see…

Yet another deep breath in.

And deep breath out.

As regular readers of my blog already know, in addition to writing postcards to potential voters in swing states and going for long walks in local cemeteries full of trees, I find refuge and inspiration in music.

The song “New Words” reminds me of the Music Together classes I lead each week — which give me much-needed infusions of joy and spontaneity and playfulness and creativity and connectedness and love.

We set aside the worries of the world for 45 precious minutes and are present with each other — having fun clapping and snapping and drumming and waving scarves and shaking rhythm eggs and singing and dancing together — even via Zoom.

Some families have stayed with me for many years — so I experience the happiness of bearing witness to their children’s new movements, new vocabulary, new ideas, new competencies, new stuffed animals, new Lego creations, and, yes, even new siblings!

Part of me is amazed that anyone would dare to bring a child into a world teetering on the brink of so many disasters.

Yet part of me also sees how these precious, blessed beings can awaken a profound sense of responsibility and interconnectedness in their parents.

I hear mothers who are breast-feeding begin to re-think what they are themselves eating — and start to become curious about how and where and by whom our food is grown and processed.

I bear enthusiastic witness to families’ participation in social justice marches, in political activism, in fighting for a more respectful and sustainable future here on planet earth.

And I feel hope.

I feel love.

I do not know if love really IS capable of overcoming systemic racism, economic inequality, environmental degradation, accelerating rates of extinction, ignorant non-mask-wearers, brain-washed insurrectionists, and the myriad other challenges facing us here in the USA.

A very brave man who was assassinated in Memphis, Tennessee over 50 years ago once said:

“We must meet the forces of hate with the power of love.” (1958)

“We must combine the toughness of the serpent and the softness of the dove, a tough mind and a tender heart.” (1963)

“Darkness cannot drive out darkness, only light can do that. Hate cannot drive out hate, only love can do that.” (1963)

“If I cannot do great things, I can do small things in a great way.” (1963)

And “I have decided to stick with love. Hate is too great a burden to bear.” (1967)

Yet ANOTHER deep breath in.

And deep breath out.

Ahhhhh….

This song inspires me to stick with love.

Thank you to Maury Yeston for writing it.

Thank you to Doug Hammer for playing such beautiful piano and then helping me to mix and master it via Zoom.

Thank you to the generous photographers at Pixabay for these glorious images.

And thank YOU for reading and listening to another one of my blog posts.

If for some reason you want to listen to this song on Spotify, Pandora, Apple Music, YouTube, Amazon or Tidal, you can click here for a link to those digital music platforms.

ps: As I was doing my final proof-reading of this blog post, I received an email from one of my favorite former Music Together parents.

She wrote:

“We have been enjoying your music on Spotify! I started following you, and now new songs of yours come up on my new release playlist that Spotify sends out periodically.

Scarlet (her super-sensitive, fairy-like, delightful daughter) especially loves ‘New Words’ — she stopped what she was doing and came over and gave me a hug when it came up on my playlist. She found it so moving, and she didn’t even know it was yours.”

One more deep breath in.

And deep breath out.

Ahhhhh…

This is why I do what I do.

If you are curious to learn more about my musical life here on planet earth, you are welcome to visit my website.

You can also find me on Spotify, Pandora, Apple Music and other digital music platforms.

It’s Not Over…

I’ve been feeling stunned and disheartened and — yes — terrified by the events unfolding recently here in the USA.

Maybe you have been feeling something similar.

And I have been wondering — yet again — how music might in some small way help to heal the soul of our country.

I shared a blog post 14 months ago which featured a song I co-wrote called “Let The Day Unfold” and which I recorded using Apple’s wonderful GarageBand program.

You can click here for a link to that blog post if you are curious.

The version I am sharing at the top of today’s blog post is a stripped down piano + vocal recording I made with the wonderful pianist Doug Hammer at his studio north of Boston.

There are so many things one could write about recent events here in the USA that I find it hard to know where to begin.

Here are just a few thoughts that have jumped out at me…

Many white Americans I have seen on TV (and heard on the radio and read online) who have been attempting to make sense out of what recently transpired in our nation’s capital have said things like, “This is not who we are as a country.”

And many people of color have responded — respectfully and persistently — by saying, “Actually, this IS who we are as a country. This IS who we have been as a country for hundreds of years.”

I have found that when I listen to the news nowadays, all I want to hear is what people of color are saying, thinking, feeling and yes — for what must feel like the umpteenth time to them — explaining to the rest of us.

They have lived with violence and threats of violence and terrorist acts — such as public murders/lynchings — for generation after generation after generation.

And — as one woman’s extraordinarily articulate and passionate viral video this summer further explained — they are not (amazing to me…) seeking vengeance.

They are seeking justice.

In recent days I have heard several African-American college historians explain, and re-explain, and explain yet again how every advance made by people of color in this country has been met by a huge — and terrifying — backlash from unhappy (and extremely vengeful) white folks.

They have pointed to our recent election of the first African-American/South Asian-American woman as vice president as well as the election of the first African-American and Jewish-American US senators from the southern state of Georgia as being one of the precipitating factors in the white mob take-over of our Capital building last Wednesday.

Ashton Lattimore, in a recent Prism report explains:

“Any flex of political power by Black and brown people in the United States (is) followed by a reactionary white supremacist show of force. The pattern of racist white backlash to the barest hint of racial progress has persisted since the earliest days of the republic up until now, from antebellum white mobs attacking free Black people essentially just for existing, to the Civil War itself and post-Reconstruction violence punishing Black self-determination in Tulsa, to the violent resistance to the civil rights movement, and then the enraged, panicked genesis of the Tea Party and the Trump era immediately after the election of the first Black president. Against that historical backdrop, the white insurrectionist takeover of the U.S. Capitol on Jan. 6 was as predictable as a pendulum’s swing.”

You can read her entire article by clicking here.

Deep breath in.

Deep breath out.

My brain now turns to is something I read earlier today.

A Republican congressman was explaining why many of his colleagues in the House of Representatives continue to support the charade of voter fraud even after an angry mob had burst into the Capitol building and sent them all into hiding.

According to him, they are scared about the safety of their family members.

That’s what terrorism does.

It makes people scared.

I empathize with these scared congressmen and congresswomen AND I want to say to them, “Do you get it now?! This is what people of color have been living with for hundreds of years! Do you get it now?!”

I wonder if any of them do or will.

I have certainly been slow to get it — or at least to begin to get it…

Another deep breath in.

And deep breath out.

I chose photographs of sunrises for this blog post from the Pixabay website because I am guessing that most of us have already seen more than enough disturbing images from our nation’s capital.

I hope you are finding ways — going for a well-masked walk, stretching, visiting with loved ones via Zoom, singing, praying, writing, cooking, etc. — to keep well during this seemingly-ever-more-challenging time in our lives.

I offer my (perhaps now familiar) thanks for food, for shelter, for employment, for electricity, for internet access, for running water, for soap, for friends and family, for Doug Hammer, and for my fellow bloggers.

Let the day unfold… this life is wide open.

Every plan we make… can be broken.

We’ve got to find the strength to lose some of our cherished point of views…

We’ve got to have hope… it’s not over!

ps: I am aware that the correct grammar for the chorus of “Let The Day Unfold” is “cherished pointS of view,” but that didn’t rhyme as well.

pps: If you are wanting to hear even more music which might comfort and/or inspire your spirit, you are welcome to visit the mini-website which songwriter Barbara Baig and I have started to honor her (similarly titled) song “Let Me Be Strong.”

We’d love to hear from you there!

ppps: You are also welcome to visit my website, and you can find me on Spotify, Pandora, Apple Music and other digital music platforms.

Let My Heart Be Open…

These are challenging times.

I’ve been reading a lot of posts — as well as the comments they elicit — by my fellow bloggers.

One theme that often emerges is Covid-fatigue.

This is not the fatigue that one experiences when one contracts the Covid-19 virus (although I have been told that fatigue is often a symptom of Covid-19 infection and can last much longer than one would like…)

This is being tired of wearing a mask outside and sometimes even inside if one is quarantining at home with others.

This is being tired of not seeing people’s faces — and smiles — while going to work or buying groceries or walking one’s dog.

This is being tired of feeling scared that one might contract the virus.

This is being tired of feeling upset by the folks who have been listening to a different stream of news — one in which mask-wearing is not necessary and the virus is nothing to fear.

This is — in some very sad cases — being heart-broken that one is unable to visit and comfort a loved one who is fighting for her or his life in a hospital.

This is being tired of not seeing one’s extended web of family and friends at Thanksgiving — and probably not seeing them for the winter holidays either…

This is being tired of not being able to do many of the things that some of us formerly took for granted — like BBQ-ing with friends, or seeing a movie in a theater, or going on a date, or eating in a restaurant, or attending a concert or…. you fill in the blank.

The list goes on and on.

The news of surprisingly robust results from many different vaccine trials gives me a shred of hope — a possible light at the end of a long tunnel.

But this will take time — more time than most of us want to acknowledge.

And we will probably need to wear our masks even AFTER we have been vaccinated because there is very little data — yet — about how infectious those who have been vaccinated may be to others who have not yet been vaccinated.

And not everyone — for a spectrum of reasons both historical and personal and political — may agree to be vaccinated…

Deep breath in.

Deep breath out.

Then there is the fatigue — physical, emotional, spiritual — that our nurses and EMTs and doctors and others who help to take care of Covid-19 patients are experiencing.

In many cases it is beyond fatigue.

It is trauma.

We are going to emerge from this health crisis with a significant number of our caregivers having been traumatized and in need of all sorts of healing for THEIR bodies, minds and spirits.

Some of them may decide that they can no longer risk their lives taking care of others — especially others who minimize and/or deny the threat of Covid-19 (and thus help to worsen everyone’s collective health and the horrific burden being placed on our health care workers).

I learned recently that one of my friends — a former housemate with whom I lived after college (along with three other people) in a run-down but functional duplex apartment outside Central Square in Cambridge, MA — just spent five days in a hospital fighting to breathe with a Covid infection.

He posted on Facebook:

“I didn’t get the mild version. It was a grueling, terrifying experience. I would like to make a plea for any of you who doubt the danger of this bug to rethink that. If you are thinking, ‘I probably won’t get it’ or ‘it probably won’t kill me’ you’re in danger — and the people around you are as well. Please don’t let your guard down. You’ll never know what you’re missing.”

In another post he shared more details:

“When my COVID was at its worst I had a temperature of 103, and each breath only gave me a few teaspoons of air. I would get panicked, and I would cough and gasp, but there was no more room in my lungs. A nurse at the ER told me to try not to cough; so I started counting my breaths, trying to make it to 100 without coughing. I’d get to about 37 and involuntarily cough/gasp. And then came one of those moments when you realize you had something and never appreciated it and maybe it’s gone. I wanted a regular breath, nothing fancy, and if I could have it I wouldn’t take it for granted anymore. So today I am deeply thankful for my lungs. I’m sharing this hoping that, if you don’t already appreciate your lungs, you’ll take a nice deep breath and appreciate them right now…”

Deep breath in.

And out.

So how did my friend end up in the hospital?

“I got a flu shot the Wednesday of the week before Thanksgiving. Felt achy the next day. Not sure if it was the shot or COVID. By Saturday my chest was getting tight. On Monday and Tuesday and Wednesday. I was going to the ER every evening (it gets bad in the evening — no one can tell me how the virus knows what time it is), struggling to breath, doing this sort of gasping/cough thing that just excited my lungs and made them more desperate. Fever kept getting worse — 103 degrees by Wednesday, (when) I went to a new hospital.”

They admitted my friend and started him on a 5 day course of Remdesivir.

At this point I didn’t know where this was going. The thing about the coughing/gasping is that they really didn’t have anything to stop it. I asked a doctor how concerned he was that I might die, and he said, “Not at all.” That was reassuring. Up until then I was worried about A) being on a ventilator and B) dying. They tell me that they don’t put people on ventilators as much now that they know more about treatment. Gradually, my symptoms receded. Very grateful.”

He was treated in the hospital with Remdesivir, oxygen, cough syrup, nebulizer treatments, and tylenol to control his fever.

He’s pretty sure he got Covid from his 18-year-old daughter, who had a fever for a couple of days and then was fine.

His final comment on Facebook was:

“(Covid infection) varies greatly and it can turn on a dime.”

Another deep breath in.

And out.

Paul is the second person I know who has been hospitalized due to Covid.

The other — as regular readers of this blog may remember — is a fellow singer who ended up on a ventilator for many weeks and then spent time in rehab for weeks after that.

Both friends are now at home and gradually recovering their strength.

There but for the grace of g-d — along with a few face masks, a lot of physical/social distancing, and regular handwashing — go I…

And ANOTHER deep breath in.

And out.

Yesterday morning I picked up a bunch of postcards for me and two friends to personalize and then mail to potential voters in Georgia.

I loved riding my bike — and not burning any fossil fuels — while picking up and then delivering postcards to my friends.

Climate change is a WHOLE OTHER CRISIS which many of us — similar to the Covid-downplayers and non-mask-wearers during our current Covid crisis — are in denial about.

But that’s a topic for another blog post…

I definitely experienced — and was grateful for — my lungs as I pedaled up a bridge and over the commuter railroad tracks that separate Cambridge from Somerville.

I was also grateful that yesterday’s rain waited until I was home from my postcard pickup and deliveries to begin its gentle precipitation.

And I am grateful to share that a song I recorded many years ago — “Let Me Be Strong” by Barbara Baig — now has its own mini-website.

You can click here to check it out (and you may recognize the names of a few fellow bloggers on the feedback page, bless them…)

I met Barbara when I was organizing open mics at the Cambridge Center For Adult Education in Harvard Square, where I worked for 16 years,

As you may also remember from a recent blog post about how modestly streaming platforms currently pay recording artists and songwriters, it is unlikely that we will make much money from distributing “Let Me Be Strong.”

But we have gotten such positive feedback that we decided — as a kind of mitzvah — to create this mini-website and devote some energy to sharing her song with the rest of the world (or at least those people who have access to digital music platforms…)

The chorus of her song says:

“Let me be strong and moving through fear.

When the truth is blinding, let me see it clear.

And when love comes, let me not hide.

Let my heart be open, let love inside.”

Easier said (or sung) than done, I know — but potentially helpful words for the days and weeks and months ahead…

We have begun reaching out to radio DJs, nurses, doctors, yoga instructors, hospital chaplains, ministers, rabbis, and anyone else whom we think might appreciate hearing the song — and possibly sharing it with others.

We would be honored if YOU, too, are moved to share “Let Me Be Strong” with anyone in your web of family and friends.

You can use the share option by clicking on the upper right corner of this page of our mini-website if the spirit moves you.

We also welcome any ideas about other people, DJs, yoga instructors, nurses, doctors, rabbis, ministers, chaplains, etc. to whom we might reach out — one heart to another.

Clearly a lot of our hearts in the USA are quite frozen with fear (and rage) these days.

And music is one way that we can thaw out and begin to feel/heal…

Deep breath in.

And out.

Let’s all keep singing and dancing and listening to music whenever we can muster the time and energy and heart in the weeks ahead!

In addition to my lungs, I am grateful for pianist/producer Doug Hammer, with whom I recorded “Let Me Be Strong” along with Gene Roma (drums) and Chris Rathbun (bass).

I am grateful that my two friends are recovering from Covid-19.

I am grateful for Barbara Baig, who wrote this song.

I am grateful to Pixabay for their wonderful images.

And I am grateful to YOU for reading and listening to another one of my blog posts.

Thank you!

I hope you remain well — and well-masked AND well-rested — as viral and political turmoil continue to swirl through our lives.

May our Covid fatigue diminish…

Let us continue to hope for brighter, wiser, happier days ahead

Deep breath in.

Deep breath out.

And maybe a refreshing shake!

ps: You are always welcome to visit my website, and you can find me on Spotify, Pandora, Apple Music and other digital music platforms.


Silver Bells


This year December arrived in Boston with rain and wind.

I had to lead my final Music Together class of the fall term via Zoom rather than outside in a local park — which is where, wearing masks and sitting in a circle on blankets set 10 feet apart from each other, we have been meeting weekly for the past two and a half months.

We have a two-week session featuring winter holiday songs starting next week, and then a few weeks of downtime.

I never imagined I’d be leading music classes out of doors in December, but if the sun is shining — and we wear enough layers of clothing — most families have been quite enthusiastic about making music outside.

2020 is a year full of surprises, and we are doing our best to remain flexible — and safe!

As regular readers of my blog posts know, during this pandemic I’ve begun distributing songs to digital music services such as Spotify, Pandora and Apple Music.

During the month of December I hope to release one winter holiday song per week.

You can click here to listen to “We Need A Little Christmas” and click here to listen to “Winter Wonderland” if you are curious.

I’ll also be sharing a few holiday songs in blog posts.

Jay Livingston and Ray Evans

Today’s song — “Silver Bells” — was written by Jay Livingston and Ray Evans for a 1950 movie, The Lemon Drop Kid, where it was sung by Marilyn Maxwell and Bob Hope.

Jay (who wrote the music) and Ray (who wrote the lyrics) were a famous songwriting team with many hits to their credit including “Mona Lisa” and “Que Sera Sera.”

They were also both Jewish.

Jay was born Jacob Harold Levison in 1915 in a small industrial suburb of Pittsburgh, PA, and Ray was born Raymond Bernard Evans the same year in Salamanca (not far from Buffalo) N.Y.

They met at the University of Pennsylvania when they both joined the university dance band, and their songwriting partnership endured until Livingston’s death in 2001.

As I have noted in previous blog posts, many of my most favorite winter holiday songs were written by Jewish songwriters.

This fact is an example (to me, at least) of the pluralism that the USA has occasionally been able to embrace — and model for others — during our ever-evolving history.

I love that “White Christmas,” “Rudolph, The Red-Nosed Reindeer,” and “The Christmas Song” (among many others!) were written by Jewish songwriters — many of them immigrants or the children of immigrants.

I always associate “Silver Bells” with my mother’s mother — a hard-working private nurse who lived in the borough of Queens for most of her life and no doubt did a lot of her holiday shopping on “city sidewalks, busy sidewalks — decked in holiday style.”

In the movie The Lemon Drop Kid, Bob Hope’s character is involved with gambling and ends up owing $10,000 to a mobster.

His solution is to disguise himself as Santa Claus and raise money from holiday donations.

In some interviews Jay Livingston explained that the inspiration for the song came from the bells rung by Salvation Army volunteers during the holiday season.

However, in an interview on NPR after Livingston had died, Ray Evans said that they were inspired by an actual bell which one of them kept on his desk at Paramount Pictures, where they were under contract at the time.

Probably the song was inspired by both of these things…

Not every song has a great verse — which is often why they are not included in popular recordings.

But “Silver Bells” has a lovely verse:

“Christmas makes you feel emotional…

It may bring parties or thoughts devotional…

Whatever happens and what may be, here is what Christmas-time means to me.”

Deep breath in.

Deep breath out.

I hope we are able to consume fewer things this holiday season.

One of the reasons why I am excited about releasing songs via digital music platforms is that I no longer need to create a CD to share my music.

I found these rather stunning statistics on the web site of a waste disposal company in Sioux Falls, South Dakota.

  • To manufacture a pound of plastic (30 CDs per pound), it requires 300 cubic feet of natural gas, 2 cups of crude oil and 24 gallons of water.
  • It is estimated that it will take over 1 million years for a CD to completely decompose in a landfill.
  • People throw away millions of music CDs each year!
  • Every month approximately 100,000 pounds of CDs become obsolete (outdated, useless, or unwanted).

Yikes!

A New Jersey company called Back Thru The Future says, however, that “CDs can be recycled for use in new products. Specialized electronic recycling companies clean, grind, blend, and compound the discs into a high-quality plastic for a variety of uses, including: automotive industry parts, raw materials to make plastics, office equipment, alarm boxes and panels, street lights, and electrical cable insulation, and even jewel cases.”

And they offer a free recycling service if one pays to send one’s old CDs, DVDs and hard drives to them:

“CDs and hard drives are made of high value recyclable material – polycarbonate plastic and aluminum respectively. The recycling of CDs and hard drives saves substantial amounts of energy and prevents significant amounts of both air and water pollution attributed to the manufacturing of these items from virgin material.”

Maybe THAT will be one of my holiday projects this year… recycling CDs and DVDs that I will never listen to again.

Another deep breath in.

And deep breath out.

The news here in the USA seems to become simultaneously more hopeful (with the Biden-Harris team starting to build their administrative teams) and terrifying (with supporters of our current president calling for violence and even martial law) each day that we move closer to a graceless and belligerent transition of power.

So I will end this blog post with a bunch of lovely images from Pixabay which the song “Silver Bells” reminded me of.

Thank you to Jay and Ray for writing this song.

Thank you to the executives at Paramount who kept renewing Jay and Ray’s songwriting contracts.

Thank you to Doug Hammer for being such a terrific collaborator.

Thank you for the sun continuing to shine on our blue-green planet.

Thank you for the new, more energy efficient windows in our basement — with blown insulation in our walls on the horizon…

Thank you for the natural gas (energy collected by plants long ago from the sun) now fueling our furnace and kitchen stove.

Thank you for vegetables — which capture energy from the sun and convert it into delicious things for us to eat, such as bell peppers.

Thank you for all the families who have chosen to make music together with me during the past few years. I am grateful for our musical sessions, which serve — for me at least — as a much-needed respite from the unsettling news swirling through our lives these days.

And thank YOU for reading and listening to this blog post!

ps: You are always welcome to visit my website, and you can find me on Spotify, Pandora, Apple Music and other digital music platforms.

Happiness…


is a thing called Joe!

This song was composed by Harold Arlen with lyrics by one of his top-three collaborators, Yip Harburg.

They wrote it for the great Ethel Waters to sing in a 1943 movie version of the musical Cabin In the Sky made by the Freed unit at MGM.

Ethel Waters

The film had a rather extraordinary cast — including Eddie “Rochester” Anderson, Lena Horne, Louis Armstrong, Butterfly McQueen and Duke Ellington.

It was also the first movie directed by Liza Minnelli’s father, Vincente — who before that had been a successful designer and director on Broadway.

Ethel Waters had also starred in the original Broadway version of Cabin in The Sky, which was directed by the famous choreographer George Balanchine with music composed by fellow Russian Vernon Duke and lyrics by John Latouche.

I’m not sure when I first heard this song, but it was a natural to include in the very first program of music — featuring songs composed by Harold Arlen — which I put together with pianist Joe Reid.

Joe Reid

Joe had called me up and asked me if I would like to do an hour of music with him at a retirement community called Brookhaven (where his dad lives).

This was a few months after I had been laid off from a non-profit where I had worked for 16 years, and I said, “Yes, please!”

Joe has proved to be an excellent collaborator.

During the past seven years we have put together one-hour programs of music featuring songs by — and stories about — Harold Arlen, Sammy Cahn, Hoagy Carmichael, Dorothy Fields, the Gershwin Brothers, Oscar Hammerstein, Yip Harburg, Lorenz Hart, Jerome Kern, Frank Loesser, Johnny Mercer, Cole Porter, Jule Styne, and Harry Warren as well as one-hour programs of songs written for Fred Astaire, Bing Crosby, Judy Garland, and Ethel Merman.

We also have assembled programs featuring Irish-American songs, songs in honor of Father’s Day, songs in honor of Mother’s Day, songs written for Disney movies made while Walt was still alive, and winter holiday songs written by Jewish songwriters.

Joe and Will

In addition to his agile musicality as a jazz pianist, Joe brings a reliable hybrid car and a level temperament to our collaboration.

He always shows up on time, and has only missed one gig in the past eight years due to an unusually bad cold.

He is also passionately involved with politics and recently installed solar panels on the roof of his house.

He is a musical mensch.

In addition to making music together, we have spent hundreds of hours driving to and from gigs in his Prius — discussing the current political climate, his extended family, how he transitioned from corporate lawyer to full-time pianist, and much more…

We were on track to perform over seventy five gigs together in 2020 before Covid-19 stopped us in our tracks.

In the past seven months we’ve performed together once — outside and well-masked — at one of our favorite retirement communities, Springhouse.

We watch the Covid case numbers rising again in Massachusetts and wonder when we will be able to perform together again…

This song also takes on a new resonance following the recent election of Joe Biden and Kamala Harris to lead our country for the next four years.

Joe Biden celebrating his 75th birthday

Many of us are very excited by this election.

I am also aware that there are many who are sad and angry that their candidate lost…

Deep breath out.

Deep breath in.

I remain very grateful to live in a country that holds presidential elections every four years.

I also am truly grateful to live in a country with a system of checks and balances between our president, our congress, our judicial system, and our investigative media.

Joe Biden and Kamala Harris

I am hopeful that our country can re-discover a sense of respect and inclusivity with different leadership in the White House.

In my Music Together classes I see on a weekly basis how strong the “monkey see, monkey do” effect is…

Not just on children, but on everyone!

One of the main ways we learn what is possible — and how to behave — is by seeing other human beings in action.

Joe Biden brings compassion and empathy — which he gained in part due to the heart-breaking losses of his first wife Neilia, baby daughter Amy, and grownup son Beau — to the White House.

He also brings a decades-long history of collaboration in the US Senate, working with Republican peers across the aisle on behalf of the residents of the USA (and also on behalf of many corporate donors and lobbyists…)

We shall see how he governs!

Joe and Jill Biden stepping off an Amtrak train…

I am also very curious to see who Joe and Kamala invite to join them as part of their cabinet and staff…

And as someone who loves to travel via trains, I like that Joe is a long-time commuter — from Washington, DC to Delaware — on Amtrak.

Thank you to Joe Reid for seven years of musical collaboration.

Thank you to all the poll workers who stepped up — some for the first time! — to run our recent national election.

Thank you to Wikimedia Commons and to Stephen Fischer for the photos in this blog post.

Thank you to pianist Doug Hammer for recording this song with me at his studio north of Boston (where I record all of my musical programs so that I have piano-only versions with which to practice…)

And thank YOU for reading and listening to this blog post.

Another deep breath in.

And deep breath out.