A Kind and Steady Heart!

A Kind and Steady Heart!

 

I recorded the song “That’ll Do” when I was part of a vocal quartet called At The Movies many years ago with fellow singers Nina Vansuch and Michael Ricca plus singer/pianist/arranger Brian Patton.

Arci's Place At The MoviesAll the songs we performed were related in some way to the film industry.

If you are curious, you can click here for a link to the CD we made together called Reel One.

“That’ll Do” appeared in a movie called Babe: Pig In The City — which was a sequel to the movie Babe.

BabePiginCity

Both of them featured extraordinarily well-trained animal actors plus a few human actors who illuminate heart-breaking lessons about ostracism and community, betrayal and faith, love and loss.

“That’ll Do” was written by Randy Newman — who has crafted songs and soundtracks for a bunch of movies including the Pixar Toy Story series.

RandyNewman

And it was originally sung by Peter Gabriel — who is also a great songwriter as well as a globally-engaged rock musician.

PeterGabriel

I love the wisdom of this song.

It feels like an antidote to many of the forces wreaking havoc on our cultural, political, and environmental landscapes these days.

Holiness

How easy it can be to overlook the gentle power of kindness…

And perseverance!

In an age of instant gratification, how reassuring to be reminded of the value of perseverance.

And steadiness!

And balance…

My mind immediately connects the concepts of steadiness and balance with boats — canoes, kayaks, row boats, and sail boats.

Kayaking

One doesn’t want to tip too far to the right OR to the left — unless one wants to capsize.

And one has to communicate and cooperate with any other beings (human, dog, cat — yes, our family even took our cats sailing with us on occasion) on the vessel, or else everyone aboard runs the risk of capsizing.

Space exploration notwithstanding, for the foreseeable future planet earth is our shared vessel, our shared home, our shared ark.

EarthInSpace

And some of us (almost all HUMAN beings) are making choices each and every day that are tipping ALL of us closer and closer to some epic/epoch capsizings.

What choices could each of us make differently which might lead us back in the direction of balance?

How might we live more simply?

How might we consume fewer shared resources?

“That’ll Do” reminds me somehow of social justice, too — of folks who are brave enough to show up and engage in non-violent social protests.

I am pretty sure steadiness is a hallmark of non-violent protest.

As is kindness.

GandhiI also appreciate that “That’ll Do” doesn’t espouse perfection as a goal.

The next blog post I write, or music class I lead, or song I create doesn’t have to be perfect.

I do not need to be cowed into inactivity by the powerful illusion of perfection.

Finally, “That’ll Do” reminds me of the humble — yet powerful — concepts of “enough” and “gratitude.”

I am grateful for the extraordinary blessings of today — such as the hundreds of people who work to bring food to my table, water to my faucets, power to my electrical devices, and peace to my neighborhood.

What I have right now is more than enough!

I am grateful to Michael Ricca, Nina Vansuch and Brian Patton for the hundreds of hours we spent rehearsing, performing, and eating home-cooked dinners together.

I am grateful to Randy Newman for writing so many terrific songs, and to Peter Gabriel for putting his heart into the original recording of this song, and to the extraordinary cast and crew of the Babe movies.

I am also grateful to Pixabay for most of the images in this blog post.

And I am grateful to you for reading and listening to another blog post.

ThankYouBlocks

Let’s show up with a kind and steady heart… and see what happens.

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Heaven… Here on Planet Earth

Heaven… Here on Planet Earth

 

Anyone who has spent time on the outer arm of Cape Cod can be deeply grateful to John F. Kennedy due to the creation on August 7, 1961 of the Cape Cod National Seashore during his short presidency.

Cape_Cod_National_Seashore_Wikipedia

According to Wikipedia — which is where I borrowed this map — it includes over 68 square miles of “ponds, woods and beachfront (in) the Atlantic coastal pine barrens ecoregion.”

It’s also where I and my sweetheart and various family members are fortunate to camp each summer during the last week of July and the first week of August — in North Truro on the Atlantic side of the outer arm (or wrist, really…) of the Cape.

TruroBeachDunesSkyIn 2010 the campground where we have stayed for over 25 years — called North of Highland — was protected with a conservation easement thanks to the hard work and generosity of many people and organizations — including JFK’s younger brother, Senator Ted Kennedy.

So hopefully it will remain in operation for generations to come!

For me camping in North Truro is heavenly…

This is a view of our site from a site which some of our family members rent above us.

UpperViewofCampsitebyAndrewWe are in a bowl which is home to pine trees, grasses, chipmunks, red squirrels, all sorts of birds, lots of ants, a few oak trees, crickets, various fungi, and quite a few blueberry bushes.

There are also visiting dragonflies, bees, mosquitos, horseflies, June bugs — who appear in the evening, attracted by our lights — and on some nights we can hear coyotes howling in the distance.

Although I have never seen a raccoon or opossum or rabbit or turkey or deer at our campsite, on one night someone DID get into our niece’s trash can.

So I am guessing that larger animals are around — just wisely inconspicuous during the day.

I love the way that sunlight dapples the trees and grass — and I love picking a few blueberries each morning.

BlueberryPlantThere weren’t very many this summer, which may be because it has been somewhat dry.

We only experienced rain three times this summer while we were camping — a) on the day we drove down to set up camp, b) once overnight, and c) a substantial storm on the day that we were packing up to return home.

When it rains I imagine how good the moisture must feel on the roots of all of the trees and shrubs and grasses.

Each berry is such a jewel… and hopefully there are plenty more for the folks camping at this site right now as well as for any animals who like to eat them, too.

BlueberryCloseup

I spend most of the day in our tent — which is quite spacious — with a ukulele, a little handheld digital recorder, a rhyming dictionary, two lap top computers, and several bags worth of song ideas.

Each morning I stretch and listen to song ideas I’ve accumulated during the previous months — or in some cases years — until something catches my fancy.

Then I focus on that particular idea for the rest of the day — writing lyrics, coming up with chords for a missing bridge, etc.

The song in the player at the beginning of this blog post is one I wrote a few camping sessions ago and later recorded with the pianist Doug Hammer at his studio north of Boston.

This is a view of our (green) screen house — where we cook and eat — and our (orange) tent.TwoTentsinBowlIf you look past our tents in the upper left corner of this photo, you can glimpse the tent site from which the first photo in this post was taken…

There are many, many things I love about camping.

For example, when we are camping, we become much more aware of our relationship with water — since we are carrying it in big multi-gallon containers down to our campsite for drinking and cooking and cleaning dishes.

CampingSinkAreaAlso all of the sinks in the bathrooms at the campground have faucets that automatically shut off after a couple of seconds.

And hot showers cost 25 cents for three minutes of bathing time.

I also love that there are LOTS of stars visible at night.

I went for several long walks along the beach late at night when the sky was clear  — and the moon so bright that I didn’t need to use a flashlight to see where I was going.

Being away from street lights and TV screens and radios — while spending hours and hours surrounded by birds and insects and trees and sky — helps me reconnect with what’s important.

Like time with family and friends.

And intact ecosystems.

TruroSandWaterSkyBefore dinner — which is often something delicious cooked by my brother-in-law who bikes to the local fish store on an almost daily basis, bless him — I usually walk down a pine-needle-covered path to the Atlantic ocean and swim.

In recent years the tide and winter storms have created a gully along the beach which ranges in depth from one to five feet depending upon the time of day.

Since there is now a robust population of seals who swim up and down this section of the Atlantic ocean — as well as great white sharks who come to eat them — my family is much happier if I swim laps in the gully rather than in the ocean.

TruroTrenchLifeGuardChairThere were a couple of great white shark sightings during our two weeks at the camp ground, and also one day when a bunch of whales cavorted within sight of the beach.

But I did not see them because I was working on new songs in my tent…

Everyday I checked in with a hydrangea plant which grows near the path to the bathrooms and showers.

HydrangeaPlantThere was so much happening on this plant — it was a world unto itself!

Every day flowers would unfold new petals.

And bees and wasps and even flies in many different shapes and sizes would gather pollen.

HydrangeaCloseupDuring the course of our time at the campground, several spiders wove webs — which in due time trapped a quite a few meals.

Here is a close up of one of the spiders against a green hydrangea leaf.

HydrangeaSpiderWebEventually it was time to pack everything up and return home.

This is always a sad and somewhat stressful process for me.

But my sweetheart and family members are very patient, since they know it happens every summer on the last day of our camping adventure.

TruroBeachTwilightTrenchWhat doesn’t usually happen, however, is an hours-long rain storm on the day of our departure.

Strangely this lifted my spirits…

I even got to continue working on a new song after our tent was down — with our brown tarpaulin providing protection during a prolonged period of deluge…

WillUnderTarpWithUkeThank you to all of the folks who keep North Of Highland camping area going year after year. I highly recommend it if you are in need of some rejuvenation!

Thank you to Andrew for letting me use his photo looking down towards our camp site, and for making so many delicious meals.

Thank you to the Kennedy family, whose love for — and lobbying on behalf of — Cape Cod has impacted millions of people — and plants and animals — for many, many decades.

Thank you to my sweetheart for all of the beach photos and for letting me use his phone to take photos of the hydrangea and our camp site.

And thank YOU for reading and listening to this blog post.

Where is your heaven on planet earth?

TruroTrenchSkyClouds

Here’s To Life

Here’s To Life

 

“Here’s To Life” is a song I recorded with pianist Doug Hammer many years ago

It was written by Phyllis Molinary and Artie Butler and first recorded by Shirley Horn in 1991.

LakeSkyReflection

Sometimes people say, “They don’t write songs like they used to.”

I respond that many great songs ARE still being written.

But the era of different pop stars each recording their own version of a particular hit — with different versions of the same song riding up and down the charts simultaneously — are long gone.

So a song like “Here’s To Life” is savored by a few rather than beloved by multitudes.

Hummingbird3

I had not known anything about Mr. Butler and Ms. Molinary until I started poking around on the internet.

Mr. Butler is a composer, arranger, songwriter, music director, and record producer who has worked on an extraordinary range of songs — including Janis Ian’s “Society’s Child,” Louis Armstrong’s “What A Wonderful World,” and Barry Manilow’s “Copacabana.”

For a more complete list of songs with accompanying stories, you can visit his web site.

JapaneseCherryBlossoms

He was inspired to write the tune for “Here’s To Life” after watching Johnny Carson interview George Burns on The Tonight Show.

He gave it to a few different lyricists before Phyllis Molinary (about whom I have not been able to learn much of anything…) wrote the set of lyrics which became “Here’s To Life.”

And now we are all blessed with this wise and elegant song…

RainbowFlowerField

It reminds me of a birthday party I recently attended for a vibrant eighty-year-old who has lived much of her life in western Massachusetts.

Before dessert was served, many of her friends shared stories about their relationships with her.

In her understated, thoughtful, generous, organized, humorous, and wide-minded — as one woman from South America described her — way, this woman has touched thousands of her fellow human beings in significant ways.

Echinacea

She taught for many decades at her local college, serving as the head of the psychology department (if I am remembering correctly) and also overseeing the college’s counseling center.

She has advised several generations of students, mentored countless faculty members, led the campus teachers’ union, been very active in town politics, and on and on and on…

I know her mainly as a very faithful cousin-in-law.

DirtRoadTreesMist

She always visits during the winter holidays, bringing gifts for everyone and sharing stories about a web of family and friends she has accumulated around the planet.

And she shares her perspectives on what is happening locally — what options her town is exploring to mitigate an underground plume of contamination that the water department has recently discovered, for example, or how a new local restaurant (which she, of course, is eager to support) is faring.

She has a gentle finger on the pulse of her town…

Her birthday party was held at a local retreat center which is run by a very ecologically-minded order of nuns.

SpringFlowersTreeSun

As the festivities were winding down, we were invited and encouraged to explore the property.

They have converted a huge carriage house — originally built in the late 1800s by the Crane family, who earned a lot of money making paper (including the paper which is still used to print US currency) — into a function hall.

On the second floor of the carriage house they have created many different areas where guests can make art, meditate, read, pray, explore eco-spirituality, marvel at the miracle of evolution, and rejuvenate their souls.

TreeLakeStars

Outside the carriage house are fruit trees, free-ranging chickens, a labyrinth, a cathedral of very tall pine trees, a huge community garden, and lots of flowers.

To me it felt a little bit like heaven on earth.

Here’s a link to the Genesis Spiritual Life and Conference Center if you are curious to learn more.

Flower&Butterfly

I found these great photographs on Pixabay, and I am grateful to all of the photographers who have shared their images there.

I am also grateful to Doug Hammer, for his exquisite piano playing and terrific engineering skills.

And to the birthday woman whose life is an ongoing inspiration for how to move through the world with empathy and wisdom and generosity and balance.

SunsetRedFlowers

And to the Genesis Spiritual Life and Conference Center for inviting us to roam around their property after her birthday gathering.

And to Art and Phyllis for writing such a lovely song.

And to you for reading and listening to another blog post.

A healthy and happy summer to you — full of berries and flowers and friends and family (unless you are reading this from somewhere in the southern hemisphere, in which case I wish you delicious winter adventures instead…)

SummerBerries

May all your storms be weathered, and may all that’s good get better.

Here’s to life…

Here’s to love…

And here’s to you!

hydrangea

Father’s Day!

Grandpa Tom

Andrew Thomas McMillan

This Sunday is Father’s Day in the USA.

My father (pictured above) died a year and a half ago.

He was a loving man who sang to me and my siblings at bedtime when we were young.

He didn’t teach me much about business or money — unless it was to inspire me to make different decisions than he did regarding concepts like saving…

But he was always willing to talk and listen.

At one point when he needed to stop driving, sell a trailer home he owned which was costing him money, and do some strategic planning regarding his declining health, two of my siblings and I and he met with a mediator.

It was not easy or fun to meet with a mediator, but we emerged with an agreed-upon list of things that needed to be accomplished.

And bless him, he accomplished everything on the list (with significant help from my older sister, with whom he lived for many years…)

As his health declined and he became less and less mobile, the sweetest way to spend time with him was sitting by his bed and playing the ukulele.

He loved to sing — even when his face was more and more disfigured by the cancer which eventually wore him out — and knew lots of standards from the 1920s – 1970s.

The wonderful team of David Shire (composer) and Richard Maltby, Jr. (lyricist) wrote a song called “If I Sing” which always touches my heart.

It was inspired by a visit which David Shire made to his father who was living in a retirement community/nursing home.

When I perform “If I Sing,” I am very grateful that my dad shared his love of music with me.

And I think of several male voice teachers who have nurtured me over the past couple of decades.

And I think of my step father, who was a professional flautist for many years — and  is now a passionate music educator who loves his students and continues to teach in his 80s.

A heartful Father’s Day to you, dear reader.

I am well aware that not everyone is blessed with a loving and functional father — or even a father at all…

However, I hope you are able to feel grateful for something your dad — or a trustworthy male teacher, or minister, or rabbi, or mentor — has given you.

Thank you for reading and watching and listening to this blog post.

Thank you, too, to Maltby & Shire for writing such a terrific song.

And thank you to Mike Callahan — himself now an enthusiastic and loving father! — for creating this great orchestration, for inviting me to sing with the Timberlane pops orchestra, and for conducting the orchestra so tenderly and skillfully.

Catch Me…

Catch Me…

 

Recently I read a small but devastating article in The New Yorker about what our new Secretary of the Interior has already accomplished in the first year of his service.

It immediately reminded me of the song “Catch Me” (which opens with a few seconds of silence after you hit the play icon at the top of this page…)

“Catch Me” is another song by David Friedman (about whom I wrote recently) which Bobbi Carrey and I recorded with pianist, arranger, and engineer Doug Hammer for our If I Loved You CD.

Although Ryan Zinke held much more conservationist views when he was a Montana state senator — acknowledging climate change as a significant threat to US national security, for example — now that he is Secretary of the Interior, he is working hard to remove burdensome regulations to industry on public land and in our coastal waters.

pier + smokestacks

He even reversed a recent ban on lead ammunition in wildlife refuges designed to protect birds that eat carrion.

The article concluded by saying that — while it is possible future elections will nudge our leadership back in more sustainable and respectful directions — the damage already being done to our public lands and wildlife will take decades to re-balance or repair (which, of course, is not even possible when a plant or animal becomes extinct…)

Boy-train-woods

Somehow this article has thrown me into what I trust is a temporary tailspin of depression and hopelessness.

As lyricist Fran Landesman once noted, spring can really hang you up the most…

Obviously there is SO MUCH that we human beings need to do to reduce and re-balance our patterns of consumption and destruction as soon as humanly possible.

hurricane-irma

And yet so many of us — me included — are unable to change a lifetime of habits and assumptions and behaviors in order seriously to address the coming environmental challenges/catastrophes/opportunities.

For example, many of us who are blessed to live in countries such as the United States continue to think, “Of course I deserve to travel as much as I can afford.”

Yet according to a recent article on The Conversation web site, “no other human activity pushes individual emission levels as fast and as high as air travel.”

Yikes!!!

And even if we can’t afford a plane trip to someplace warm (or intriguing or affordable or colorful) we are strongly urged by our morally bankrupt financial institutions to pay for it using a credit card…or two…or three.

Man-Help

How many of us are basically indentured servants to our credit card companies, making minimum payments yet never paying off all our accumulated debt?

Another assumption I find odd is that most of us continue to think that we deserve to have one — or more — cars.

Of course, this is often related to the fact that many of us think that we deserve to live wherever we like — places which may not be located anywhere near public transportation, for example — so, of course, we have to have a car in order to get to work, to shop, to visit friends and family, to drive to the gym (the practice of which I truly don’t understand… why not ride your bike or walk to the gym? Or ride your bike/walk/run instead of joining a gym and donate what you used to pay for your gym membership to a deserving non-profit group?) etc.

And how about those of us who feel that we deserve to own vacation homes — sometimes built in very unwise locations?

north-beach-erosion

Many of these structures sit uninhabited for weeks or months at a time, consuming fuel/electricity so that the pipes don’t freeze, or so that the house doesn’t get too humid, or so that the burglar alarms are functioning…

The list of possessions and privileges to which many of us aspire is loooong — and has been extremely well-marketed for at least a couple of generations here in the USA.

Yet so few of us seem to be able or willing to pause and ponder the consequences of our consumption…

And global greenhouse gas levels continue to rise.

And weather becomes more erratic — affecting wildlife habitats as well as human agriculture (and thus the ability of more and more countries to feed their citizens).

And plastic — some of it visible and some of it in tiny fibers — continues to pollute the waters of planet earth and contaminate aquatic life on all levels of the food chain.

trash-on-beach

Sadly — depressingly — tragically — hubristically — the list of human pollution, deforestation, and environmental degradation goes on and on and on…

I often feel — as I watch TV or listen to the radio or use the internet — that I have entered a frantic cocoon created solely so that we human beings can hide (for couple of hours or for an entire lifetime) from the terrifying realities of the larger patterns/feedback loops which are unfolding/unraveling right now on planet earth.

Times-Square

And I want to say — to myself and to most of my fellow human beings here in the USA — WAKE UP!!!

Often this is when I catch a cold.

And I stay home and write a blog post like this…

I am aware that I am extremely blessed to live a life where I can moan about larger environmental challenges because my basic needs for food, clothing, shelter, employment, love, and respect have already been met.

And I have a job — leading Music Together classes — to which I can walk or bike or take the bus.

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However, I am also aware that anyone writing or reading a blog post is using electricity and some sort of magical electronic device which contains metals mined all over the planet by human beings under inhumane conditions as well as plastic from fossil fuels — and which have most likely been assembled by human beings working under inhumane conditions.

And my other job — sharing one-hour programs of beloved standards at retirement communities, assisted living facilities, and public libraries — involves driving many miles per month in a trusty, high mileage Prius belonging to the jazz pianist Joe Reid, with whom I do 50+ gigs per year.

So I am utterly complicit.

And I wonder what the f–k I am doing with my one precious life here on planet earth.

Moss+Water Droplets

Yet I also know that music matters in some way — that it can touch our hearts and even inspire us to do unimaginably courageous things.

A documentary I watched recently about James Baldwin reminded me that there was a lot of singing by heroic non-violent protestors as they were marching… and as they were being beaten… and as they were being thrown into police vehicles.

Deep breath in.

Deep breath out.

What do you think/feel about any of this, dear reader?

What do you think/feel about the sad news that Kate Spade and Anthony Bourdain — two people who have achieved international success, wealth, fame, influence, celebrity, and in theory the happiness which success/wealth/fame/influence/celebrity are alleged to bring — have taken their own lives during this past week?

Another deep breath in.

And deep breath out.

Thank you to David Friedman for writing such compelling songs.

Thank you to Bobbi Carrey for her musical collaboration over the past 15 years.

Thank you to Doug Hammer for his piano playing, engineering, production wizardry, patience, and humor.

Thank you to Mike Callahan for his vocal arrangements.

Thank you to Pixabay for the images in this blog post.

And thank YOU for making time so that you could read and listen to another blog post.

Daisy-Pier

 

If I Loved You…

If I Loved You…

 

Rodgers&Hammerstein

Today’s post is inspired by the act of collaboration.

Theater is all about collaboration — as are many forms of music.

I have been part of a musical collaboration with singer Bobbi Carrey for almost 20 years.

The song at the beginning of this blog post — “If I Loved You” — was written by Oscar Hammerstein II and Richard Rodgers for their musical Carousel.

Both Hammerstein and Rodgers had achieved tremendous success working with other collaborators before they joined forces during WWII to create the musical Oklahoma! 

Following the triumph of Oklahoma! they rose to new heights, co-creating a new musical every couple of years — interspersed with producing plays and musicals (such as Annie Get Your Gun) created by others.

And as their extraordinary list of hit shows — including South Pacific, The King and I, Flower Drum Song and The Sound of Music — expanded, they also devoted a considerable amount of time to overseeing touring companies, movie adaptations, and revivals of their work.

It was an extraordinary creative and business collaboration — the fruits of which will continue to be harvested  and celebrated for decades to come!

Collaboration can be a mysterious process — and theirs was not without its challenges.

But they persevered, remained respectful of each other’s gifts, and left an astounding body of work for the rest of us to savor for decades to come.

Pianist/composer/engineer/producer Doug Hammer, singer Bobbi Carrey and I recorded “If I Loved You” — one of their most beautiful ballads — for a CD we put together with exquisite arrangement input (both vocal and instrumental) from Michael Callahan.

Mike wrote the cello part on this recording of “If I Loved You,” for example.

My collaboration with Bobbi, too, has included a variety of challenges — and we have also respectfully persevered

Right now, due to a variety of factors, our collaboration is in a fallow period.

Callahan_Michael

Mike is busy being a music professor at Michigan State as well as an enthusiastic husband and father.

Doug’s career as a composer, producer and touring musician — in addition to being a devoted husband and father of two terrific sons — has meant that he is less available to perform with singers (although regular readers/listeners of this blog know that he is still willing to make music together in his wonderful home studio on the north shore of Boston).

doug-hammer-2017-february-1

Bobbi was working for a while in various parts of Asia — with a home base in Kuala Lumpur.

And I — now that I am making a very modest living as a singer, songwriter and teacher — am (somewhat paradoxically) less available to collaborate with Bobbi than when I had a full-time, non-musical day job.

Will&Bobbi2

Blessedly, recording technology exists so that all of the collaboration we did together has not evaporated without a trace.

 

Here’s a version of “The Little Things You Do Together” that we recorded with Doug playing piano plus a playful string arrangement by Mike.

Stephen Sondheim wrote it for the musical Company, and it paints a slightly different picture of love and marriage (another type of collaboration) than one might find in a Rodgers & Hammerstein show.

I have loved this song ever since my parents bought the cast album — which I listened to again and again and again as a child.

Sondheim knew both Rodgers and Hammerstein very well, having been unofficially adopted into the Hammerstein family when he was a teenager.

Sondheim1

Hammerstein became a role model and mentor for Sondheim as he, too, devoted himself to musical theater and songwriting.

And after Hammerstein died, Sondheim even collaborated as a lyricist with Richard Rodgers on a show called Do I Hear A Waltz? — along with one of Sondheim’s collaborators from West Side Story, librettist Arthur Laurents.

As someone who writes songs, I am always curious to learn more about the lives, practices, and habits of other songwriters.

I forget where I read it (maybe in one of Laurents’ great memoirs? or one of Sondheim’s terrific books about his own creative process?) but I was surprised to learn that Sondheim — with Laurents’ approval and support — transformed chunks of the dialogue  which Laurents wrote for early drafts of the West Side Story libretto into lyrics for certain songs in West Side Story.

And Laurents did not ask for co-credit on the lyrics for these songs,

It was simply part of their generous and respectful collaborative process.

Now Sondheim continues to support, nurture, encourage and inspire new generations of musical-theater-lovers. librettists, songwriters, and performers.

STEPHEN SONDHEIM

Thank you to Sondheim and Laurents and Rodgers and Hammerstein — and all of their scenic, costuming, choreographic, lighting, casting, directorial, production, and performance collaborators — for leaving us an extraordinary body of songs and shows and ideas.

Thank you to Bobbi Carrey, Doug Hammer, Mike Callahan, Jon Lupfer (who did the final mix of our CD at Q Division), Jonathan Wyner (who mastered our CD at M Works), and the musicians who played on it — Mark Carlsen (bass), Jane Hemenway (violin), Mike Monaghan (tenor sax and flute), Gene Roma (drums, percussion), Johann Soults (cello), and Kenny Wenzel (trombone).

Thank you to the internet for the photos of Rodgers, Hammerstein, Sondheim, Callahan, and Hammer.

Thank you to Paul Forlenza for the photos of Bobbi and me.

And thank YOU for reading and listening to this post!

What have YOUR experiences with collaboration taught you?

Can We Slow It Down?

Can We Slow It Down?

 

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Although spring is just arriving here in the greater Boston area, I am deeply aware of how quickly it will pass.

Yesterday I was celebrating the 22 crocus flowers in my front yard.

And today there are only 9…

Someone nibbled the rest of them down to the ground overnight!

I do not begrudge anyone (rabbit? skunk? possum? squirrel? raccoon? rat?) an early spring feast.

But it was a reminder of how life changes… and sometimes much too quickly.

Stars-Highway

A couple of weeks ago I was asked by the pianist/songwriter Molly Ruggles to share a few songs during a Sunday morning service at the Unitarian Universalist church in Medford, MA.

It’s a beautiful building — with lots of stained glass windows and gently curving pews — and the congregation is very welcoming.

One of the longstanding members of the church is someone I worked with at my very first job after dropping out of college. He and I have reconnected a little bit in recent years due to a shared interest in music and poetry — and it was a pleasure to see him before and after the service.

The minister, Reverend Marta Valentin, was planning a sermon about the value of observing some sort of Sabbath in one’s life.

Grassy-Woodland-Road

I immediately started thinking about standards which might fit this theme, such as “Up A Lazy River” by Hoagy Carmichael and Sidney Arodin or “Bidin’ My Time” by the Gershwin Brothers.

But it also occurred to me that a couple of my original songs might fit the theme, too.

With some shyness, I sent them — “Can We Slow It Down” and “The Beauty All Around” — to Molly for consideration.

Much to my delight, she liked them and forwarded them to Reverend Marta, who also liked them.

In fact, Reverend Marta visited my blog and found another original song, “May Your Life Be Blessed,” which she asked us to include in the service.

Rainbow-Man-TV

Needless to say, I found this entire experience to be a much-needed affirmation that my original songs can be meaningful to people other than myself…

It was also exciting because I had been thinking that I could only perform my original songs in public with Doug Hammer (who is playing in the recording at the top of this page) at the piano with me.

I write songs using a ukulele — which I play very rudimentarily — and then flesh them out with Doug at his recording studio north of Boston. And Doug has performed many of them with me in different showcases during the past few years.

Woods-Mushrooms

So it was a revelation that another pianist would be able to bring them to life as well as Molly did (with very little rehearsal)!

The service itself was very satisfying, too.

My songs — especially “Can We Slow It Down?” — almost seemed as though they had been written to complement the Reverend Marta’s sermon.

Hurrah!

Male-Hand-TV-Remote

As I have probably noted in previous blog posts, there is a thriving ukulele Meetup community in the greater Boston area.

I attend a group which meets the 2nd and 4th Wednesday night of each month and another which meets the 1st and 3rd Wednesday afternoon of each month.

Most ukulele Meetup groups include a humble — and very supportive — open-mic period where attendees can share a song they’ve been working on.

This is the main place I have dared to share my original songs during the past few years.

Baby-Oak-Sprouting

After I played “Can We Slow It Down?” two weeks ago, a couple of fellow ukulele attendees asked me if I might post it somewhere.

So this post is created for them!

iPhone-Photo-Blurry-Lights

Thank you to Molly Ruggles, Reverend Marta, Doug Hammer, and my ukulele-playing peers for their enthusiastic support and encouragement.

Forest-Stream

Thank you to Pixabay for some lovely images.

And thank YOU for reading and listening to another blog post.

Sunlit-Woods

I welcome any thoughts/feelings you might have about the pace of life these days…

Stars-Cactii

When Did Snowflakes Fall So Sweet?

When Did Snowflakes Fall So Sweet?

At last winter is melting away.

The piles of snow between our sidewalk and the street are getting smaller.

Tiny green fingers are pushing out of the earth…

And today the first crocus bloomed in our front yard!

Crocus-yellow-snow

I planted a bunch of bulbs in November, right before the ground began to freeze.

And it appears that the squirrels did not dig all of them up — because crocus leaves are popping up everywhere.

Hurrah!

Several years ago I wrote a very simple song about spring and colored blossoms falling down to the ground.

 

This was before I started playing the ukulele — so I just sang into my lap top computer using the wonderful Apple program GarageBand.

Then I fooled around with a lot of the sounds and loops that are included with Garageband.

And then I took my laptop to my friend Doug Hammer’s studio, where he added a few more layers of sound — including spring peepers! — and I recorded (I think) a few more vocal tracks.

After Doug mixed it, I spent time at the Apple store on Boylston Street in Boston, getting help in terrific “one to one” training sessions (which Apple used to offer) about how to make a video to accompany my song.

The final product is pasted above.

Here are more crocus photos to savor…

crocus-purple-single

There is a yard at the top of a hill between Harvard Square and Central Square in Cambridge.

I go there every spring because their front yard is PACKED with crocus, snowdrops, and miniature iris.

It is very similar to this photo except much smaller in total square footage.

crocus-carpet

I wonder how many years of planting bulbs it takes to create a field like this!

I am waiting to see my first pollinator of the season.

It is amazing that bees can survive our New England winters — and then they appear as soon as the first blossoms open their petals to the sun.

crocus-honeybee

There are so many important causes to which one can devote time and care and love and money these days.

I am a fan of environmental advocacy — because without functioning ecosystems, the human species will collapse.

Just like our populations of pollinators (bats, butterflies, bees, etc.) have been collapsing in recent years…

Crocii-Yellow-Snow

All sorts of factors may be causing this collapse — including our human use of pesticides and herbicides.

So I no longer use any products like RoundUp or wasp spray.

And I pay extra money to buy organic produce and meat — mostly because it is healthier for the people who plant the food, who cultivate the food, who harvest the food, who clean the food, who package the food, who ship the food, and who handle it in our stores.

I also support organic farming because the hedgerows and bacteria and trees and streams and animals who co-exist with — and in the case of pollinators are partially responsible for — our food crops are not being poisoned either!

May all beings bloom and grow and flourish in an ever-changing balance…

Crocus-field2

Thank you to Mother Nature for inspiration.

Thank you to Apple engineers for creating laptop computers and Garageband.

Thank you to the former “one to one” teaching team at the Apple store in Boston.

Thank you to Doug Hammer for his musical and engineering expertise.

crocus-sunshine

Thank you to Pixabay for beautiful images of crocii.

And thank YOU for reading and watching and listening to another blog post.

I welcome your comments and/or feedback.

In Praise of David Friedman

In Praise of David Friedman

Friedman-Songbook

 

David Friedman is a composer, a songwriter, a conductor, an arranger, a producer, a philosopher, a teacher, AND a dedicated advocate for the singer Nancy LaMott, who died much too young in 1995.

I first became aware of him after hearing one of Nancy’s CDs — and eventually buying all of them because I was so touched by the heartfulness in her voice.

Nancy-LaMott

Nancy recorded many of David’s songs, and I fell in love with several of them.

So when David put together a songbook of his original works, I bought it and got to work!

Two of his songs ended up on a CD of songs about love which singer Bobbi Carrey and I recorded with pianist/engineer/producer Doug Hammer, arranger Mike Callahan, and a handful of Boston-area musicians called If I Loved You.

Baby feet + hands

“I’ll Be Here With You” (on the player at the beginning of this blog post) is one of Bobbi’s and my favorite songs with which to end a performance.

And, although I do not know the details of Nancy and David’s musical partnership, I have the sense that this song may have had a strong emotional resonance for them (and might even have been inspired by their friendship…)

David-and-Nancy

Perhaps people who know more about David and Nancy’s history can weigh in using the comments section at the end of this blog post.

I think of David whenever someone says something along the lines of, “They don’t write great standards like they used to…”

There are, in fact, many people who are alive and well on planet earth and who are writing beautiful, wise songs.

But the ways that those songs reach — and touch — the rest of the world have changed significantly since the days of sheet music and singing around pianos in living rooms.

polar-bears

No longer does a new song get recorded by many, many different performers — with different recordings of the same song vying for the top spot on a few national radio networks.

The rise of the singer-songwriter — along with self-contained bands who create their own original material — marked a significant shift in our popular musical culture.

David’s songs have been recorded by pop stars including Diana Ross, Barry Manilow, and Petula Clark — but these days Diana, Barry and Petula are not dominating the charts as they once did…

However, we now have many new ways to share music — such as YouTube, Pandora, Spotify… and even personal blogs like mine.

And there are many singers still devoted to both the Great American Songbook of standards from the 1920s-1960s AND to all of the great songs that have been written since then.

So ripples of music continue to wash around our culture and around our planet…

Water-Surface

Thank you to David Friedman for writing songs.

Thank you to Bobbi Carrey for her singing and for her musical collaboration over the past 15 years.

Thank you to Doug Hammer for his piano playing and his engineering and his production skills and his patience and his humor.

Thank you to Mike Callahan for his vocal arrangements.

Thank you to Pixabay for most of the images in this blog post (and to the world wide web for the ones of David and of Nancy).

And thank YOU for making time so that you could read and listen to another one of my blog posts!

mother-child-sunset

At The Movies

At The Movies

 

I was looking through a list of past gigs on my web site recently and was surprised to realize that almost 15 years has passed since I was part of a vocal quartet called At The Movies.

Three of us — Nina Vansuch, Michael Ricca and I — had attended a week-long cabaret symposium at the O’Neill Theater Center on the Connecticut coast of Long Island Sound in the summer of 1999.

Our teachers included musical luminaries such as Margaret Whiting and Julie Wilson along with Broadway actress Sally Mayes and a slew of other generous (and mostly inspiring) experts from the worlds of musical theater, jazz and cabaret.

We came back to Boston fired up and ready to sing.

I don’t remember who had the idea that we three would join forces — maybe Nina and/or Michael and/or Brian will weigh in some day with THEIR memories of how we got started using the comments section at the end of this blog post.

I’m pretty sure, however, that it was Nina who brought another wonderful singer AND pianist AND arranger — Brian Patton — into the mix.

Bay Windows Reel One

For four years we met after work — usually at Nina’s place in Belmont or Brian’s place in Jamaica Plain — to eat dinner and make song choices and work on arrangements and write patter and rehearse, rehearse, rehearse.

I remember many delicious meals cooked by Nina — and also a lot of patience from Brian as we fine-tuned our harmonies.

I had forgotten, however, how much publicity we got.

Thankfully Nina scanned some of it and included it on her web site.

Herald At The Movies

Gradually we added some outside eyes and ears to our creative process, bouncing rough drafts of performances off local directors and working for a while with a warm and loving choreographer/director named Marla Blakey who lived on Martha’s Vineyard.

At one point in her career Marla had worked in this capacity with Bette Midler and also with the vocal group The Manhattan Transfer.

So we were honored and excited to learn from her AND to hear some of her stories about how show business unfolds behind the scenes…

As you can see from the media clippings and hear from the recordings I have included in this blog post, we had a lot of fun together.

BelmontAtTheMovies

Most — or maybe all — of our great photographs were taken by a very talented friend of Nina’s named David Caras.

You can visit his web site by clicking here if you are curious to see more of his work.

After we had sold out Scullers Jazz Club  (thank you for booking us, Fred Taylor!) a couple of times, we decided to record a CD, which can still be purchased at CD Baby by clicking here.

Improper Bostonian Reel One

 

We recorded it at Doug Hammer’s studio north of Boston along with additional musicians Gene Roma (drums), Chris Rathbun (bass), and Spartaco John “Sparkie” Miele (saxophone).

In addition to the songs I have included in this blog post, you can find other songs from our CD — “Journey To The Past,” “Wives & Lovers,” and “That’ll Do” — in the right hand column of this blog.

My memory is also hazy as to why we decided to focus on songs written for or performed in movies…

GlobeAtTheMovies

There are so many great songs in existence — just waiting to be sung! — that we probably knew that it would be wise to narrow our focus a bit.

It may also have been related to Michael’s somewhat savante-like knowledge of movie history.

We performed at the Cambridge Center for Adult Education (where I then worked) and also at the Boston Public Library as part of First Night; participated in John O’Neil’s wonderful CabaretFests in Provincetown, MA, Newburyport, MA, and Newfound Lake, NH (thank you, John!); traveled to perform in Providence, RI at the Hi-Hat Club (thank you, Ida Zecco!) and to NYC at a club called Arci’s Place (thank you, Erv Raible — may you rest in peace!) I think our last gig may have been in Quincy for John McDonald (thank you, John!)

Arci's Place At The Movies

One thing I came to appreciate as a result of being part of  At The Movies is that an audience doesn’t just enjoy the music when they go to a concert.

Most of us also enjoy observing the relationships we see in action on stage — both the planned and the spontaneous interactions that unfold during a performance.

After four years of working and playing — and dining — together, however,  our creative collaboration came to an end.

But thanks to the digital magic of zeros and ones, the songs we recorded at Doug Hammer’s studio for our CD Reel One live on…

And I was able to find these media clippings on Nina’s web site (thank you, Nina!)

Perhaps someday we will dig our harmony practice cassettes out of the basement and do a few more shows together.

Until then it is fun to listen and remember…