Ode To Water

 

We’ve been having an unusually warm January in New England this year…

So far we have experienced as much rain as snow…

I prefer rain to snow because I don’t have to shovel outside the karate studio where I lead Music Together classes three mornings each week.

Most of us burn fewer fossil fuels as a result of warmer winter temperatures — and save a little money on our heating bills.

One weekend the temperature hit 70 degrees Farenheit (21 degrees Celsius) — an all-time high for Boston in January!

I don’t know if any of our local turtles dug their way out of the mud thinking it was spring…

But there was a fair amount of spring-like frolicking in the greater Boston area — although maybe not quite as enthusiastically as these folks…

I wrote this song several years ago while camping in North Truro on Cape Cod.

As regular readers of my blog posts already know, I LOVE spending time at the North Of Highland camping area.

One of my favorite parts of camping there is how everyone gains — or regains — a deep appreciation for the preciousness of water.

All of the faucets in the bathrooms shut off after a second or two to encourage us not to waste water while brushing our teeth, washing our hands, or shaving.

And we have to carry water — for drinking and cooking and washing dishes after our meals — in big plastic jugs from centrally located cabins (which have bathrooms, showers, and outdoor spigots) down to our camp sites.

So we become very aware of how much water we use all day long — such as boiling pasta for dinner or rinsing a soapy pot afterwards.

We are a short walk away from the Atlantic ocean, which is another mesmerizing manifestation of water on planet earth.

I tend to go to the beach in the late afternoon, when the sun is less powerful and the beach starts to become less crowded with other human beings.

And then there are clouds — another form of water…

How weird and amazing that water molecules are constantly cycling around our planet — from the sky to the earth to plants (and the animals who consume plants) and then back into the sky!

And water is such an important substance in our bodies…

Blood is flowing through my arteries and veins as I sit and type this blog post — and through your arteries and veins as you are reading it…

Water is an important component of all sort of secretions which our bodies produce — and which in some cases allow for the reproduction of our species.

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And plants, bless them, create delicious fruits — containing lots of water — as part of their reproductive cycles.

The more I explored Pixabay, the more glorious images related to water I found…

Ocean waves…

Cups of tea…

Whales…

Rainbows…

Rivers…

Splashing hands…

Waterfalls…

Water slides…

Ponds…

Lakes…

Glaciers…

Rotini…

Thunderstorms…

Reflections…

Tears…

More waterfalls…

Aquariums…

Raindrops…

Leaves…

Jelly fish…

More glaciers…

Mountain tops…

Impressionistic ripples…

Otherworldly reflections…

Libations…

Waves…

Hot springs…

And ice crystals…

Thank you to Doug Hammer for playing piano and co-producing the version of “Ode To Water” featured at the start of this blog post.

Thank you to the photographers who share their glorious images with Pixabay.

And thank YOU for reading and listening to another one of my blog posts!

Skylark…

As our president speaks on the radio about his recent decision to kill an Iranian general (and others) in Iraq, I thought I might share a post about love and melody and music…

John Herndon Mercer was born on November 18, 1909 in Savannah, Georgia.

From the 1930s to the 1960s he co-wrote a slew of hit songs including “Jeepers Creepers,” “Hooray For Hollywood,” “You Must Have Been A Beautiful Baby,” “Come Rain or Come Shine,” “One For My Baby (And One More For The Road),” “Anyplace I Hang My Hat Is Home,” “I’m Old Fashioned,” “Moon River,” “On The Atchison, Topeka And The Santa Fe,” “Too Marvelous For Words,” “Accentuate The Positive,” “That Old Black Magic,” “Blues In The Night,” “In The Cool, Cool, Cool Of The Evening,” “Autumn Leaves,” and “Skylark.”

Mercer was nominated for 19 Academy Awards — winning four Oscars for best original song — and had two successful shows on Broadway.

He was also a popular recording artist AND co-founded Capitol Records!

“Skylark” was published in 1941 — when Europe was engulfed in WWII but the USA had not yet entered the fight…

The song had a long creative gestation.

According to Wikipedia, the composer Hoagy Carmichael was inspired to write the melody for what became “Skylark” by an improvisation which his old friend Bix Beiderbecke — a jazz cornet player — had once played.

Bix’s music and too-short life had already inspired a novel called YOUNG MAN WITH A HORN which Hoagy was hoping to adapt into a Broadway show (and which a decade later provided the source material for a movie of the same name starring Kirk Douglas, Lauren Bacall, Doris Day and Hoagy Carmichael…)

Apparently the Broadway production never gelled, and after that Hoagy shared the melody with Johnny in hopes that he might write lyrics for it.

Different books report different versions of how long it took Johnny to write the lyrics for “Skylark.”

Most agree, however, that it was a long period of time — several months to a year — and that Hoagy had kind of forgotten that Johnny was working on lyrics for it (or at least Hoagy had stopped checking in with Johnny to ask him if he had made any progress…)

Around this time Johnny had started an on-again, off-again love affair with Judy Garland.

He was 31 years old (and married…and upset because his father had recently died) and she — fresh off her success as Dorothy in THE WIZARD OF OZ — was 19 years old.

Many writers have speculated about which of Mercer’s lyrics were inspired by his love for Judy — and “Skylark” is one of the contenders.

Here is Judy in an MGM publicity photo from 1943 — when she was 21 years old.

Beautiful and funny and gifted and smart and hard-working and … inspirational.

Another thing which inspired Johnny was the natural world.

His family had a summer home outside Savannah on a hill overlooking an estuary — and he spent his summers as a child fishing, swimming, sailing, picking berries, and lying very still.

He wrote in an unpublished autobiography, “The roads were still unpaved, made of crushed oyster shell, and…they wound their way under the trees covered with Spanish moss…”

“It was a sweet indolent background for a boy to grow up in…and as we drove out to our place in the country there (were) vistas of marsh grass and long stretches of salt water.”

“It was 12 miles from Savannah, but it might as well have been 100…”

“Out on (our) starlit veranda, I would lie on a hammock and — lulled by the night sounds, the cricket sounds… my eyelids would grow heavy (and I would fall sleep) — safe in the buzz of grown up talk and laughter (and) the sounds of far-off singing…”

I started reading about Johnny Mercer when fellow singer Bobbi Carrey and pianist Doug Hammer and I put together a program of his songs that we performed at Scullers Jazz Club here in Boston.

We also were fortunate enough to perform this program of songs on Spring Island — one of the multitude of barrier islands which run along the Georgia and Carolina coast.

Spring Island was once one of the largest cotton plantations in the southern United States.

And echoes of plantation life remain on the island…

Spring Island is now half wildlife sanctuary and half retirement community for folks who are very wealthy — some of whom love music enough that they would fly me and Bobbi and Doug down to perform in their lovely club house.

Although he enjoyed living in New York and California, Johnny returned home to Georgia on a regular basis — usually via a long train trip since he did not like to fly.

He savored the slower pace of life in his hometown as well as the beauty all around.

Having traveled to Spring Island, I have a much more vivid sense of Johnny Mercer’s roots…

A song like “Skylark” or “Moon River” makes sense in a different way now that I have seen and smelled and tasted and heard the environment where he grew up.

Full of streams…

And birds…

And mist…

And blossoms…

And swamps…

And big old trees…

And ocean…

And flowers…

And light…

And sky…

Thank you to Bix Beiderbecke and Hoagy Carmichael and Johnny Mercer for creating such a lovely song.

And to Doug Hammer for his spectacular piano playing as well as his super-competent engineering skills.

And to Pixabay and Wikimedia Commons for most of the images in this post.

And to YOU for reading and listening to this blog post!