This past Sunday pianist Joe Reid and I performed an hour of songs with music by Harold Arlen at an independent living center in Quincy, MA.
The residents who showed up were very friendly — and a few of them knew the words to almost every song!
Even if they weren’t singing, I could see that everyone was moving some part of their body — fingers, toes, head, torso — in rhythm with the music.
It was a delightful way to spend an hour of my life.
Afterwards one woman — whose eyes had been closed for much of the time — explained that when these songs had been popular, she and her husband had not had a lot of money, but that they HAD been able to listen to music on the radio.
So even though it may have appeared she was dozing off, she had in fact been remembering that time in her life and imagining that her husband was still sitting next to her.
What is this thing called love?
The previous day pianist Doug Hammer and I had performed a 40 minute chunk of my show, “The Kid Inside,” at a benefit for a new organization called OUT MetroWest.
OUT MetroWest has been providing supportive space for LGBTQ teenagers to meet for many years, and this benefit was a big step to expand their services beyond the Unitarian Universalist church in Wellesley where they began.
I originally created “The Kid Inside” to perform for the 10th grade class at my high school. It’s a recollection, using stories and songs, of my high school years — including how conflicted and confused I felt about my sexuality.
At one point I tell a story about when — lacking a gay-straight alliance on campus or even any “out” faculty members to whom I might speak — I sneaked from my dorm one night and knocked on the front door of an apartment belonging to one of the young, unmarried male teachers who lived on campus,
When he answered the door, I was unable to say anything and just stood there — feeling stuck and ashamed and humiliated.
I follow this story by singing the Cole Porter song “What Is This Thing Called Love?” — which is in the player at the top of this post with Doug Hammer on piano, Mark Carlson on bass, and Kenny Wenzel on trombone.
I am happy to know that there are now safe spaces at many high schools to talk about the amazing and powerful and at times perplexing topics of sexuality and identity and relationships — as well as organizations like OUT Metro West.
And I am amazed at how songs can re-connect us with people and places from our past.
Love is a mystery.
How music taps into our memories and opens our hearts is a mystery.
Today I embrace those mysteries and remain grateful for all the music in my life on a daily basis.
Thank you for reading…and listening.