At The Movies

At The Movies


I was looking through a list of past gigs on my web site recently and was surprised to realize that almost 15 years has passed since I was part of a vocal quartet called At The Movies.

Three of us — Nina Vansuch, Michael Ricca and I — had attended a week-long cabaret symposium at the O’Neill Theater Center on the Connecticut coast of Long Island Sound in the summer of 1999.

Our teachers included musical luminaries such as Margaret Whiting and Julie Wilson along with Broadway actress Sally Mayes and a slew of other generous (and mostly inspiring) experts from the worlds of musical theater, jazz and cabaret.

We came back to Boston fired up and ready to sing.

I don’t remember who had the idea that we three would join forces — maybe Nina and/or Michael and/or Brian will weigh in some day with THEIR memories of how we got started using the comments section at the end of this blog post.

I’m pretty sure, however, that it was Nina who brought another wonderful singer AND pianist AND arranger — Brian Patton — into the mix.

Bay Windows Reel One

For four years we met after work — usually at Nina’s place in Belmont or Brian’s place in Jamaica Plain — to eat dinner and make song choices and work on arrangements and write patter and rehearse, rehearse, rehearse.

I remember many delicious meals cooked by Nina — and also a lot of patience from Brian as we fine-tuned our harmonies.

I had forgotten, however, how much publicity we got.

Thankfully Nina scanned some of it and included it on her web site.

Herald At The Movies

Gradually we added some outside eyes and ears to our creative process, bouncing rough drafts of performances off local directors and working for a while with a warm and loving choreographer/director named Marla Blakey who lived on Martha’s Vineyard.

At one point in her career Marla had worked in this capacity with Bette Midler and also with the vocal group The Manhattan Transfer.

So we were honored and excited to learn from her AND to hear some of her stories about how show business unfolds behind the scenes…

As you can see from the media clippings and hear from the recordings I have included in this blog post, we had a lot of fun together.


Most — or maybe all — of our great photographs were taken by a very talented friend of Nina’s named David Caras.

You can visit his web site by clicking here if you are curious to see more of his work.

After we had sold out Scullers Jazz Club  (thank you for booking us, Fred Taylor!) a couple of times, we decided to record a CD, which can still be purchased at CD Baby by clicking here.

Improper Bostonian Reel One


We recorded it at Doug Hammer’s studio north of Boston along with additional musicians Gene Roma (drums), Chris Rathbun (bass), and Spartaco John “Sparkie” Miele (saxophone).

In addition to the songs I have included in this blog post, you can find other songs from our CD — “Journey To The Past,” “Wives & Lovers,” and “That’ll Do” — in the right hand column of this blog.

My memory is also hazy as to why we decided to focus on songs written for or performed in movies…


There are so many great songs in existence — just waiting to be sung! — that we probably knew that it would be wise to narrow our focus a bit.

It may also have been related to Michael’s somewhat savante-like knowledge of movie history.

We performed at the Cambridge Center for Adult Education (where I then worked) and also at the Boston Public Library as part of First Night; participated in John O’Neil’s wonderful CabaretFests in Provincetown, MA, Newburyport, MA, and Newfound Lake, NH (thank you, John!); traveled to perform in Providence, RI at the Hi-Hat Club (thank you, Ida Zecco!) and to NYC at a club called Arci’s Place (thank you, Erv Raible — may you rest in peace!) I think our last gig may have been in Quincy for John McDonald (thank you, John!)

Arci's Place At The Movies

One thing I came to appreciate as a result of being part of  At The Movies is that an audience doesn’t just enjoy the music when they go to a concert.

Most of us also enjoy observing the relationships we see in action on stage — both the planned and the spontaneous interactions that unfold during a performance.

After four years of working and playing — and dining — together, however,  our creative collaboration came to an end.

But thanks to the digital magic of zeros and ones, the songs we recorded at Doug Hammer’s studio for our CD Reel One live on…

And I was able to find these media clippings on Nina’s web site (thank you, Nina!)

Perhaps someday we will dig our harmony practice cassettes out of the basement and do a few more shows together.

Until then it is fun to listen and remember…

Let Me Be Strong (again)

Let Me Be Strong (again)

I shared this song by Barbara Baig a couple of years ago in a blog post.

Today I found myself thinking about it a lot.

Many people in the USA are very happy today.

I honor their sense of excitement and accomplishment.

Many people in the USA are very surprised and scared and shocked today, too.

I honor these feelings as well.

I don’t know what comes next, but I am pretty sure that the effects of yesterday’s election will ripple for weeks and months and years to come — not just here in the US but all over our planet.

Deep breath in.

Deep breath out.

I dearly hope that the horrible coincidence of learning the results of our election with the anniversary of Kristallnacht is just that…a horrible coincidence and not an uncanny foreshadowing of what may lie ahead in our not-very-united-states.


It is very sobering to read about Kristallnacht in Wikipedia.

As soon as we start viewing — and scapegoating — fellow human beings as “other,” we are heading down a very unhappy and slippery slope…

I was very glad that jazz pianist Joe Reid and I were booked to perform our hour-long program of songs co-written by Harold Arlen this afternoon at a retirement community in Newton.

We all needed to sing together — beautiful, timeless songs which touched our hearts and connected us with each other.

Not surprisingly, one song moved us to tears — “Over the Rainbow,” which Mr. Arlen wrote with Yip Harburg in 1938 for MGM’s masterpiece, The Wizard of Oz.


Filming for The Wizard Of Oz began on October 13 1938.

A month later Kristallnacht occurred in Germany, Austria and parts of Poland, Russia and the Czech Republic.

The emotional resonance of “Over The Rainbow” — written by two American-born, fully assimilated Jewish songwriters for a movie produced by a Jewish-owned film company — cannot have gone un-noticed at the time.

No wonder so many of us are still moved to tears by it, almost 80 years after it was written.

I love “Let Me Be Strong,” too.

Barbara Baig wrote it when she lived in Somerville, MA and was an active member of the Boston Association of Cabaret Artists (BACA).

I recorded it many years ago with Doug Hammer on piano at his wonderful Dreamworld studio in Lynn, MA, plus Gene Roma on drums and Chris Rathbun on bass.

Thank you, Barbara, for writing this song.

May all of our hearts remain open in the days and weeks to come… as we move through our joys and our fears here on planet earth.


Let us be strong.

Deep breath in.

Deep breath out.

Thank you to Pixabay for the photos.

And thank you to anyone who reads and listens to this blog post!